Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.References:
Bergenhus fortress is one of the oldest and best preserved castles in Norway. It contains buildings dating as far back as the 1240s, as well as later constructions built as recently as World War II. The extent of the enclosed area of today dates from the early 19th century. In medieval times, the area of the present-day Bergenhus Fortress was known as Holmen (The islet), and contained the royal residence in Bergen, as well as a cathedral and several churches, the bishop's residence, and a Dominican monastery. Excavations have revealed foundations of buildings believed to date back to before 1100, which might have been erected by King Olav Kyrre. In the 13th century, until 1299, Bergen was the capital of Norway and Holmen was thus the main seat of Norway's rulers. It was first enclosed by stone walls in the 1240s.
Of the medieval buildings, a medieval hall and a defensive tower remain. The royal hall, today known as Haakon's Hall, built around 1260, is the largest medieval secular building in Norway. The defensive tower, known in the Middle Ages as the keep by the sea, was built around 1270 by King Magnus VI Lagabøte, and contained a royal apartment on the top floor. In the 1560s it was incorporated by the commander of the castle, Erik Rosenkrantz, into a larger structure, which is today known as the Rosenkrantz Tower.
In the Middle Ages, several churches, including the Christ Church, Bergen's cathedral, were situated on the premises. These however were torn down in the period 1526 to 1531, as the area of Holmen was converted into a purely military fortification under Danish rule. From around this time, the name Bergenhus came into use. Building work on the Christ Church probably started around 1100. It contained the shrine of saint Sunniva, the patron saint of Bergen and western Norway. In the 12th and 13th centuries it was the site of several royal coronations and weddings. It was also the burial site of at least six kings, as well as other members of the royal family. The site of its altar is today marked by a memorial stone.
In the 19th century, the fortress lost its function as a defensive fortification, but it was retained by the military as an administrative base. After restoration in the 1890s, and again after destruction sustained during World War II, Bergenhus is today again used as a feast hall for public events. During World War II, the German navy used several of its buildings for their headquarters, and they also constructed a large concrete bunker within the fortress walls. The buildings, including the Haakon's Hall, were severely damaged when a Dutch ship in the service of the German navy, carrying approximately 120 tons of dynamite, exploded on 20 April 1944 in the harbour just outside the fortress walls, but the buildings were later restored.
Bergenhus is currently under the command of the Royal Norwegian Navy, which has about 150 military personnel stationed there. The fortifications Sverresborg fortress and Fredriksberg fortress also lie in the centre of Bergen. Haakon's Hall and the Rosenkrantz Tower are open for visits by the public. Koengen, the central part of Bergenhus Fortress is also known as a concert venue.