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The Palazzo Salis is situated in the heart of the historic centre of Tirano, a small town in the valley Valtellina. The building got constructed during the second half of the 17th century by the noble family von Salis-Zizers, a branch of the important and well known grison family von Salis.
The palace was erected in the 1490s by Ludovico Sforza, Duke of Milan. The start of the construction is dedicated to Giovanni Salis-Zizers, who even became in the 1660s twice podestà of Tirano. About in the middle of the 17th century he bought and sold different properties to finally have the land to build his Palazzo. The entire structure of the Palazzo Salis is the result of the integration and change of already well established buildings, most probably already from the 15th or 16th century. The general style of the face of the building is a leftover of the facades of those 16th century buildings. The imposing doorway of the main entrance took its inspiration from a 16th-century design of the well-known architect Giacomo Barozzi da Vignola. The ground plan of the building is structured and organised mainly around two courtyards, named corte della meridiana (Sun-dial Courtyard) and corte dei cavalli (Courtyard of Horses).
The Palazzo is still in the hands of the family Salis and is run today as a Museum. More than ten rooms decorated with frescoes and stucco from the 17th and 18th century, as well as the hidden Italian Garden on the backside of the building are opened for the public.
References:Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.