The Monastery of St. Nino at Bodbe is a Georgian Orthodox monastic complex and the seat of the Bishops of Bodbe. Originally built in the 9th century, it has been significantly remodeled, especially in the 17th century. The monastery now functions as a nunnery and is one of the major pilgrimage sites in Georgia, due to its association with St. Nino, the 4th-century female evangelist of Georgians, whose relics are shrined there.
The Bodbe Monastery is nested among tall Cypress trees on a steep hillside overlooking the Alazani Valley, where it commands views of the Greater Caucasus mountains.
The extant church – a three-nave basilica with three protruding apses – was originally built between the 9th and 11th centuries, but has been significantly modified since then. Both exterior and interior walls have been plastered and bear the traces of restoration carried out in the 17th and 19th centuries. It consists of a small hall church with an apse built over St. Nino’s grave that is integrated into a larger aisled basilica. A free-standing three-storey bell-tower was erected between 1862 and 1885. Part of the 17th-century wall surrounding the basilica was demolished and the earlier original one restored in 2003.
According to Georgian tradition, St. Nino, having witnessed the conversion of Georgians to the Christian faith, withdrew to the Bodbe gorge, in Kakheti, where she died c. 338-340. At the behest of King Mirian III (r. 284-361), a small monastery was built at the place where Nino was buried. The monastery gained particular prominence in the late Middle Ages. It was particularly favored by the kings of Kakheti who made choice of the monastery as the place of their coronation. Pillaged by the troops of Shah Abbas I of Persia in 1615, the Bodbe monastery was restored by King Teimuraz I of Kakheti (r. 1605-1648). With the revival of monastic life in Bodbe, a theological school was opened. The monastery also operated one of the largest depositories of religious books in Georgia and was home to several religious writers and scribes.
After the annexation of Georgia by the Russian Empire (1801), the Bodbe monastery continued to flourish under Metropolitan John Maqashvili and enjoyed the patronage of Tsar Alexander I of Russia. In 1823, the monastery was repaired and adorned with murals. Upon John’s death in 1837, the Russian Orthodox exarchate active in Georgia since 1810 abolished the convent and converted it into a parish church. In the following decades, the monastery went into disrepair, but, in the 1860s, Archimandrite Macarius (Batatashvili) began to restore the monastery and established a chanting school. The chapel housing St. Nino’s relics were refurbished by Mikhail Sabinin in the 1880s. In 1889, Bodbe was visited by Tsar Alexander III of Russia who decreed to open a nunnery there. The resurrected convent also operated a school where needlework and painting was taught.
In 1924, the Soviet government closed down the monastery and converted it into a hospital. In 1991, after the dissolution of the Soviet Union, the Bodbe monastery was resumed as a convent. Restoration works were carried out between 1990 and 2000 and resumed in 2003.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.