Gremi is a 16th-century site of royal citadel and the Church of the Archangels. The complex is what has survived from the once flourishing town of Gremi.

Gremi was the capital of the Kingdom of Kakheti in the 16th and 17th centuries. Founded by Levan of Kakheti, it functioned as a lively trading town on the Silk Road and royal residence until being razed to the ground by the armies of Shah Abbas I of Persia in 1615. The town never regained its past prosperity and the kings of Kakheti transferred their capital to Telavi in the mid-17th century. There was big Armenian population.

The town appears to have occupied the area of approximately 40 hectares and to have been composed of three principal parts – the Archangels’ Church complex, the royal residence and the commercial neighborhood. Systematic archaeological studies of the area were carried out in 1939-1949 and 1963-1967, respectively. Since 2007, the monuments of Gremi have been proposed for inclusion into the UNESCO World Heritage Sites.

Architecture

The Archangels’ Church complex is located on a hill and composed of the Church of the Archangels Michael and Gabriel itself, a three-story castle, a bell tower and a wine cellar (marani). It is encircled by a wall secured by embrasures, turrets and towers. Remains of the secret tunnel leading to the Ints’obi River have also survived.

The Church of the Archangels was constructed at the behest of King Levan of Kakheti (r. 1520–1574) in 1565 and frescoed by 1577. It is a cruciform domed church built chiefly of stone. Its design marries traditional Georgian masonry with a local interpretation of the contemporary Iranian architectural taste. The building has three entrances, one facing west, one facing to the south, and the third facing to the north. The interior is crowned with a dome supported by the corners of the sanctuary and two basic piers. The façade is divided into three arched sections. The dome sits on an arcaded drum which is punctured by eight windows.

The bell-tower also houses a museum where several archaeological artifacts and the 16th-century cannon are displayed. The walls are adorned with a series of portraits of the kings of Kakheti by the modern Georgian painter Levan Chogoshvili (1985).

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Details

Founded: 16th century
Category: Castles and fortifications in Georgia

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en.wikipedia.org

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User Reviews

Vakhtang Japaridze (2 years ago)
Gremi is a 16th-century architectural monument – the royal citadel and the Church of the Archangels – in Kakheti, Georgia. The complex is what has survived from the once flourishing town of Gremi and is located southwest of the present-day village of the same name in the Kvareli district, 175 kilometers east of Tbilisi, capital of Georgia. Gremi was the capital of the Kingdom of Kakheti in the 16th and 17th centuries. Founded by Levan of Kakheti, it functioned as a lively trading town on the Silk Road and royal residence until being razed to the ground by the armies of Shah Abbas I of Persia in 1615. The town never regained its past prosperity and the kings of Kakhetitransferred their capital to Telavi in the mid-17th century.
Iryna Progoniuk (2 years ago)
Great. Open till 6pm. Go to museum as well, it has a great views to the valley.
Beny Mokhov (2 years ago)
A nice fortress with a church inside, has a beautiful view on the mountains. You can pay to enter the castle itself and also for a guide to get a small tour inside.
Tillmann Peter (2 years ago)
Beautiful little old church with a nice view over Kachetien
Petr Bubeníček (2 years ago)
Nice monastery, but not really special.
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From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.

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The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.

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The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.