Gremi is a 16th-century site of royal citadel and the Church of the Archangels. The complex is what has survived from the once flourishing town of Gremi.
Gremi was the capital of the Kingdom of Kakheti in the 16th and 17th centuries. Founded by Levan of Kakheti, it functioned as a lively trading town on the Silk Road and royal residence until being razed to the ground by the armies of Shah Abbas I of Persia in 1615. The town never regained its past prosperity and the kings of Kakheti transferred their capital to Telavi in the mid-17th century. There was big Armenian population.
The town appears to have occupied the area of approximately 40 hectares and to have been composed of three principal parts – the Archangels’ Church complex, the royal residence and the commercial neighborhood. Systematic archaeological studies of the area were carried out in 1939-1949 and 1963-1967, respectively. Since 2007, the monuments of Gremi have been proposed for inclusion into the UNESCO World Heritage Sites.
The Archangels’ Church complex is located on a hill and composed of the Church of the Archangels Michael and Gabriel itself, a three-story castle, a bell tower and a wine cellar (marani). It is encircled by a wall secured by embrasures, turrets and towers. Remains of the secret tunnel leading to the Ints’obi River have also survived.
The Church of the Archangels was constructed at the behest of King Levan of Kakheti (r. 1520–1574) in 1565 and frescoed by 1577. It is a cruciform domed church built chiefly of stone. Its design marries traditional Georgian masonry with a local interpretation of the contemporary Iranian architectural taste. The building has three entrances, one facing west, one facing to the south, and the third facing to the north. The interior is crowned with a dome supported by the corners of the sanctuary and two basic piers. The façade is divided into three arched sections. The dome sits on an arcaded drum which is punctured by eight windows.
The bell-tower also houses a museum where several archaeological artifacts and the 16th-century cannon are displayed. The walls are adorned with a series of portraits of the kings of Kakheti by the modern Georgian painter Levan Chogoshvili (1985).References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.