The Zarzma monastery is nested in the forested river valley of Kvabliani in the Adigeni municipality, 30 km west of the city of Akhaltsikhe. It is the complex of a series of buildings dominated by a domed church and a belfry, one of the largest in Georgia.
The earliest church on the site was probably built in the 8th century, by the monk Serapion whose life is related in the hagiographic novel by Basil of Zarzma. According to his source, the great nobleman Giorgi Chorchaneli made significant donation – including villages and estates – to the monastery. The extant edifice dates from the early years of the 14th century, however. Its construction was sponsored by Beka I, Prince of Samtskhe and Lord High Mandator of Georgia of the Jaqeli family. What has survived from the earlier monastery is the late 10th-century Georgian inscription inserted in the chapel's entrance arch. The inscription reports the military aid rendered by Georgian nobles to the Byzantine emperor Basil II against the rebellious general Bardas Sclerus in 979. In 1544, the new patrons of the monastery – the Khursidze family – refurnished the monastery.
The façades of the church are richly decorated and the interior is frescoed. Apart from the religious cycles of the murals there are a series of portraits of the 14th-century Jaqeli family as well as of the historical figures of the 16th century. After the Ottoman conquest of the area later in the 16th century, the monastery was abandoned and lay in disrepair until the early 20th century, when it was reconstructed, but some of the unique characteristics of the design were lost in the process.
Currently, the monastery is functional and houses a community of Georgian monks. It is also the site of pilgrimage and tourism.
A smaller replica of the Zarzma church, known as Akhali Zarzma ('New Zarzma') is located in the same municipality, near Abastumani. It was commissioned by Grand Duke George Alexandrovich, a member of the Russian imperial family, from the Tbilisi-based architect Otto Jacob Simons who built it between 1899 and 1902, marrying a medieval Georgian design with the contemporaneous architectural forms. Its interior was frescoed by the Russian painter Mikhail Nesterov.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.