Bagrati Cathedral is an 11th-century cathedral church in the city of Kutaisi. A masterpiece of the medieval Georgian architecture, the cathedral suffered heavy damage throughout centuries and was reconstructed to its present state through a gradual process starting in the 1950s, with major conservation works concluding in 2012. A distinct landmark in the scenery of central Kutaisi, the cathedral rests on the Ukimerioni Hill.
Bagrati Cathedral was built in the early years of the 11th century, during the reign of King Bagrat III. An inscription on the north wall reveals that the floor was laid in 'chronicon 223', i.e., 1003. In 1692, it was devastated in an explosion by Ottoman troops who had invaded the Kingdom of Imereti. The incident caused the cupola and ceiling to collapse.
Conservation and restoration works, as well as archaeological studies at the Cathedral began in the 1950s under the leadership of a Georgian architect Vakhtang Tsintsadze. The restoration works headed by Tsintsadze were divided into six stages and continued for several decades through 1994. That same year in 1994 Bagrati Cathedral, together with the Gelati Monastery, was included in UNESCO's World Heritage Site list as a single entity. In 2001, ownership of the cathedral was transferred from the Georgian state to the Georgian Orthodox Church. It is presently of limited use for religious services, but attracts many pilgrims and tourists. It is also frequently used as a symbol of the city of Kutaisi, being one of its main tourist attractions.
In 2010, under the leadership of an Italian architect Andrea Bruno, Georgia commenced reconstruction works aimed at returning Bagrati Cathedral to its original state as a religious space. In July 2010 UNESCO added Bagratli cathedral to its list of endangered world heritage sites in part because of the continuing reconstruction, which it feared would affect the structural integrity and authenticity of the site. Even before the reconstruction works, in 2008 ICOMOS was concerned about the deteriorating state of Bagrati, but it commended that any conservation efforts by the Government should not include a type of reconstruction which would affect the site's historical value. In 2011 UNESCO urged the Georgian government authorities to develop a rehabilitation strategy that would reverse some of the changes made to the site in recent years, but it acknowledged that these alterations may be 'almost irreversible'. In 2013, architect Andrea Bruno was awarded a Georgian state gold medal for his role in the Bagrati Cathedral reconstruction and was subsequently recognized for this project with the University of Ferrara Domus International Prize for Restoration and Conservation. UNESCO removed Bagrati Cathedral from its World Heritage sites in 2017, considering its major reconstruction detrimental to its integrity and authenticity.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.