Kratul was an Illyrian settlement and fortification located in the territories of the Illyrian tribe of Labeates. The archaeological material indicates that life at the settlement was active from the early Iron Age (beginning of 1st millennium BC) until the 1st century AD.
Kratul fortification represents a good example that sheds light on the typology of military architecture among Illyrians. The fortification wall encloses an elliptical shape area (which is uncommon among other fortifications but adopts well to the terrain) and covers about 0.5 ha. The wall was built using large blocks on both curtains, while the core is filled with smaller stones. The blocks are unworked and no mortar has been used. The walls' width goes up to 3.35 m while the height is 2.55 m. Three gates which served for communication have been identified. Two of them are across each other respectively on the north and south side, while the third one is on the east side. From a typological point of view the Kratul fortification is similar to that of Gajtan, although there are substantial changes in plan such as towers and the regular elliptic shape, which make it an interesting site. So far, there have been no trace of houses found inside the settlement.
The Kratul fortification ruins are situated on the hill with the same name, at an altitude of 143 metres above sea level. They lie over the nowadays village of Boks, part of the municipal unit of Postribë. On the plain south of the village's outskirts, near the left banks of Kir river, are located 160 tumuli of Shtoj, which date back to the early Bronze Age.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.