The Royal Gniezno Cathedral served as the coronation place for several Polish monarchs and as the seat of Polish church officials continuously for nearly 1000 years. Throughout its long and tragic history, the building stayed mostly intact making it one of the oldest and most precious sacral monuments in Poland.
The cathedral played an outstanding role in the history of Poland, serving as the stronghold capital of the first Piasts, and as the starting point for Bishop Adalbert’s Christianising mission to Prussia in 997. It was here that the Holy Roman Emperor Otto III came in pilgrimage in the year 1000 to visit St Adalbert’s grave, and here that in 1025 the coronation of Boleslaus I the Brave took place (and later that of his successors - Mieszko II and Boleslaus II the Bold). In 1018 part of the stronghold settlement and cathedral were destroyed by fire, and a new church was built to replace the pre-Romanesque one at the decree of Boleslaus I. This three-aisled cathedral basilica featured two towers, though little of it survives. It was damaged in 1038 during a raid on Poland by Bretislaus, Duke of Bohemia, and in 1331, when attacked by the Teutonic Knights.
Relict remains of these earlier buildings are concealed within the walls of the present Gothic cathedral, which was built around the mid-14th century thanks to Archbishop Jarosław Bogoria Skotnicki. The first stage of this project saw the construction of a chancel with an ambulatory and a series of radiating chapels around it. In later years (up to 1512) the nave and towers were built. Further restructuring obscured the cathedral’s Gothic form, which was ultimately restored in the 1950s. Chapels which were built or partially remodelled in the 17th and 18th centuries to make burial chapels for bishops and canons, are sealed off by wrought-iron screens (14th-18th century) set in Baroque portals made of dark and pale marble.
The most famous works of art in the cathedral are the Gniezno Doors and the coffin containing the relics of St Adalbert. The Gniezno Doors, fitted in the Gothic portal of the south entrance, represent one of the finest examples of Romanesque metalwork in Europe. The pair of doors, cast in bronze in c. 1170, are of uneven size and, interestingly, one of them was cast in one piece whilst the other is made up of 24 sections soldered together. The surface of each door is divided into nine low relief panels depicting scenes from the life and death of St Adalbert.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians. The county became a privileged refuge for persecuted Cathars.
The castle, often besieged (notably by Simon de Montfort in 1211 and 1212), resisted assault and was only taken once, in 1486, thanks to treachery during the war between two branches of the Foix family.
From the 14th century, the Counts of Foix spent less and less time in the uncomfortable castle, preferring the Governors' Palace. From 1479, the Counts of Foix became Kings of Navarre and the last of them, made Henri IV of France, annexed his Pyrrenean lands to France.
As seat of the Governor of the Foix region from the 15th century, the castle continued to ensure the defence of the area, notably during the Wars of Religion. Alone of all the castles in the region, it was exempted from the destruction orders of Richelieu (1632-1638).
Until the Revolution, the fortress remained a garrison. Its life was brightened with grand receptions for its governors, including the Count of Tréville, captain of musketeers under Louis XIII and Marshal Philippe Henri de Ségur, one of Louis XVI's ministers. The Round Tower, built in the 15th century, is the most recent, the two square towers having been built before the 11th century. They served as a political and civil prison for four centuries until 1862.
Since 1930, the castle has housed the collections of the Ariège départemental museum. Sections on prehistory, Gallo-Roman and mediaeval archaeology tell the history of Ariège from ancient times. Currently, the museum is rearranging exhibits to concentrate on the history of the castle site so as to recreate the life of Foix at the time of the Counts.