Top Historic Sights in Kutná Hora, Czech Republic

Explore the historic highlights of Kutná Hora

Sedlec Ossuary

The Sedlec Ossuary is a small Roman Catholic chapel and one of twelve World Heritage Sites in the Czech Republic. The ossuary is estimated to contain the skeletons of between 40,000 and 70,000 people, whose bones have, in many cases, been artistically arranged to form decorations and furnishings for the chapel. The ossuary is among the most visited tourist attractions of the Czech Republic. Four enormous bell-shaped moun ...
Founded: 1278 | Location: Kutná Hora, Czech Republic

St. Barbara's Church

Saint Barbara"s Church is a Roman Catholic church in Kutná Hora. It is one of the most famous Gothic churches in central Europe and it is a UNESCO world heritage site. St Barbara is the patron saint of miners (among others), which was highly appropriate for a town whose wealth was based entirely upon its silver mines. Construction of the church began in 1388, but because work on the church was interrupted sev ...
Founded: 1388 | Location: Kutná Hora, Czech Republic

Italian Court

The Italian Court is a palace in Kutná Hora. Originally, it was the seat of the Central Mint of Prague, named after the Italian experts who were at the forefront of the minting reform. After its reconstruction at the end of the 14th century, the Italian Court became a part-time royal residence. For many centuries, the Italian Court was the centre of the state economic power: it contained the royal mint and was the ...
Founded: 13th century | Location: Kutná Hora, Czech Republic

Historic Centre of Kutná Hora

From the 13th to 16th centuries Kutná Hora competed with Prague economically, culturally and politically. Since 1995 the city center has been a UNESCO World Heritage Site. Kutná Hora town began in 1142 with the settlement of the first Cistercian monastery in Bohemia, Sedlec Monastery, brought from the Imperial immediate Cistercian Waldsassen Abbey. By 1260 German miners began to mine for silver in the mount ...
Founded: 1142 | Location: Kutná Hora, Czech Republic

Church of Our Lady

The Church of the Assumption of Our Lady and Saint John the Baptist is a Gothic and Baroque Gothic church in Kutná Hora. It is listed in the UNESCO World Heritage List together with the Chapel of All Saints and its ossuary and other monuments in Kutná Hora. It is one of the most important Czech Gothic buildings built in the time of the very last Přemyslids and also a very important and one of the oldest examples of the ...
Founded: c. 1300 | Location: Kutná Hora, Czech Republic

Kacina Palace

Kačina is a significant empire style palace built in place of the defunct medieval village Kačín. It was built as a prestige mansion of the supreme burgrave of the Kingdom of Bohemia and president of governorate Jan Rudolf Chotek (1748–1824) from 1806 to 1824. The architectural scheme was drawn up by Saxon royal architect Christian Franz Schuricht (1753–1832) from Dresden. Johann Philipp J&oum ...
Founded: 1806-1824 | Location: Kutná Hora, Czech Republic

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Saint Sophia Cathedral

The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.

The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.

The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.

There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).

The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.