Top Historic Sights in Harjumaa, Estonia

Explore the historic highlights of Harjumaa

Kernu Manor

Kernu estate was established in 1637. The current building owes its stately neoclassical appearance to a thorough renovation executed 1810-1813, possibly by the designs of renowned Helsinki architect Carl Ludvig Engel. The front façade is dominated by a richly decorated portico, while the side facing the park displays a 4-column half rotunda, unique in Estonian architecture. A care home has been ...
Founded: 1810-1813 | Location: Harjumaa, Estonia

Saha Chapel

The chapel in Saha used to be one of the oldest ecclesiastical centres of Rävala Maakond (Shire). Originally, Saha Church was made of wood, it was burnt down around 1223. Four cult stones with small hollows dating from the 1st millennium BC, located close to the chapel indicate that it had been an ancient cult place. The current chapel was built by builders from Tallinn in the second quarter of the 15th century. Structu ...
Founded: 15th century | Location: Harjumaa, Estonia

Suurupi Lighthouses

The older lighthouse of Suurupi was built in 1760. The round old-style stone tower was built near the end of the reign of Czarina Elizaveta Petrovna, this is a magnificent example of classic Russian Imperial lighthouse design. The lighthouse was substantially rebuilt in 1812 and further renovated in 1858. The round watch room was added in 1951, and the present lantern was new in 1998. The newer wooden lighthouse date bac ...
Founded: 1760 & 1859 | Location: Harjumaa, Estonia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Church of the Savior on Blood

The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.

Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.

The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.

In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.

In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.