Top Historic Sights in Hämeenlinna, Finland

Explore the historic highlights of Hämeenlinna

Häme Castle

The medieval castle of Häme is located on the coast of lake Vanajavesi. It was originally located on an island.The castle's age is disputed. Traditionally the construction of the castle has been connected to the legendary Second Swedish Crusade which would date the castle in the mid-13th century. However, there are no finds from the castle that can be firmly dated to a period earlier than 1320s. Also the contents of the ...
Founded: ca. 1250-1300 | Location: Hämeenlinna, Finland

Prison Museum

The prison museum introduces to the visitors the history of correctional treatment in Finland and the prison life in the past and these days. The most valuable item is the museum building itself with its authentic premises that have been maintained in their original condition since the time when the building still functioned as a prison. The building and the exhibition consist of three floors.The prison museum functions i ...
Founded: 1871 | Location: Hämeenlinna, Finland

Hämeenlinna Church

Hämeenlinna Church was built in 1798 as a rotunda modelled on the Pantheon in Rome. It is designed by Frenchman L. J. Desprez, the court architect of Sweden. The altar stood in the middle of the amphitheatre-shaped church, and the pulpit was above the sacristy door. Hämeenlinna church is one of the best samples of so-called Gustavian classism style in Finland.
Founded: 1792–1798 | Location: Hämeenlinna, Finland

Armoured Vehicle Museum

Parola Tank Museum, officially Armoured Vehicle Museum displays various tanks, armoured vehicles and anti-tank guns used by the Finnish Defence Forces throughout its history. A rare exhibit is an armoured train used in World War Two. A few kilometers away from the museum is also the Armoured Brigade. The museum was opened June 18, 1961, when there were 19 tanks and 12 anti-tank guns on display. Also Leopard 2A4, the lates ...
Founded: opened 1961 | Location: Hämeenlinna, Finland

The Artillery Museum of Finland

The Artillery Museum of Finland is a special military museum dedicated to the history of the artillery from the 15th century to the present day. It was located in Niinisalo from 1977 to 1997 and in 1997 relocated to Hämeenlinna.There are almost a hundred guns, grenade launchers and rocket launchers of different make from 13 different countries. The gun collection of the museum is unique, the most comprehensive in the Sca ...
Founded: 1850-1913 | Location: Hämeenlinna, Finland

Vanajanlinna

The history of the original estate of Vanajanlinna, Äikäälä, goes back to the Middle Ages. Historical records mention Olle af Aeykaelum (Olli of Äikäälä) as the owner of the Äikäälä estate in 1374. After him the farm has had many owners and a colourful history as a freehold and holding farm used for agriculture.The actual history of Vanajalinna begins from the year 1918, when the industrialist Carl Wilhelm Ros ...
Founded: 1924 | Location: Hämeenlinna, Finland

Vanaja Church

The Church of Vanaja is one of the smallest medieval churches in Finland. It was built probably between 1490-1510. Vanaja is one of the oldest parishes in Häme and it's quite probable there have been couple of wooden churches before the present one. There are many beautiful details and decorations inside the church, for example an exterior pulpit in stone wall and arm paintings of two noble families.
Founded: 1490-1510 | Location: Hämeenlinna, Finland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Charlottenburg Palace

Charlottenburg Palace is the largest palace in Berlin and the only surviving royal residence in the city dating back to the time of the Hohenzollern family. The original palace was commissioned by Sophie Charlotte, the wife of Friedrich III, Elector of Brandenburg in what was then the village of Lietzow. Originally named Lietzenburg, the palace was designed by Johann Arnold Nering in baroque style. The inauguration of the palace was celebrated on 11 July 1699, Frederick's 42nd birthday.

Friedrich crowned himself as King Friedrich I in Prussia in 1701 (Friedrich II, known as Frederick the Great, would later achieve the title King of Prussia). Two years previously, he had appointed Johann Friedrich von Eosander (also known as Eosander von Göthe) as the royal architect and sent him to study architectural developments in Italy and France, particularly the Palace of Versailles. On his return in 1702, Eosander began to extend the palace, starting with two side wings to enclose a large courtyard, and the main palace was extended on both sides. Sophie Charlotte died in 1705 and Friedrich named the palace and its estate Charlottenburg in her memory. In the following years, the Orangery was built on the west of the palace and the central area was extended with a large domed tower and a larger vestibule. On top of the dome is a wind vane in the form of a gilded statue representing Fortune designed by Andreas Heidt. The Orangery was originally used to overwinter rare plants. During the summer months, when over 500 orange, citrus and sour orange trees decorated the baroque garden, the Orangery regularly was the gorgeous scene of courtly festivities.

Inside the palace, was a room described as 'the eighth wonder of the world', the Amber Room, a room with its walls surfaced in decorative amber. It was designed by Andreas Schlüter and its construction by the Danish amber craftsman Gottfried Wolfram started in 1701. Friedrich Wilhelm I gave the Amber Room to Tsar Peter the Great as a present in 1716.

When Friedrich I died in 1713, he was succeeded by his son, Friedrich Wilhelm I whose building plans were less ambitious, although he did ensure that the building was properly maintained. Building was resumed after his son Friedrich II (Frederick the Great) came to the throne in 1740. During that year, stables for his personal guard regiment were completed to the south of the Orangery wing and work was started on the east wing. The building of the new wing was supervised by Georg Wenzeslaus von Knobelsdorff, the Superintendent of all the Royal Palaces, who largely followed Eosander's design. The decoration of the exterior was relatively simple but the interior furnishings were lavish. The ground floor was intended for Frederick's wife Elisabeth Christine, who, preferring Schönhausen Palace, was only an occasional visitor. The decoration of the upper floor, which included the White Hall, the Banqueting Hall, the Throne Room and the Golden Gallery, was lavish and was designed mainly by Johann August Nahl. In 1747, a second apartment for the king was prepared in the distant eastern part of the wing. During this time, Sanssouci was being built at Potsdam and once this was completed Frederick was only an occasional visitor to Charlottenburg.

In 1786, Frederick was succeeded by his nephew Friedrich Wilhelm II who transformed five rooms on the ground floor of the east wing into his summer quarters and part of the upper floor into Winter Chambers, although he did not live long enough to use them. His son, Friedrich Wilhelm III came to the throne in 1797 and reigned with his wife, Queen Luise for 43 years. They spent much of this time living in the east wing of Charlottenburg. Their eldest son, Friedrich Wilhelm IV, who reigned from 1840 to 1861, lived in the upper storey of the central palace building. After Friedrich Wilhelm IV died, the only other royal resident of the palace was Friedrich III who reigned for 99 days in 1888.

The palace was badly damaged in 1943 during the Second World War. In 1951, the war-damaged Stadtschloss in East Berlin was demolished and, as the damage to Charlottenburg was at least as serious, it was feared that it would also be demolished. However, following the efforts of Margarete Kühn, the Director of the State Palaces and Gardens, it was rebuilt to its former condition, with gigantic modern ceiling paintings by Hann Trier.

The garden was designed in 1697 in baroque style by Simeon Godeau who had been influenced by André Le Nôtre, designer of the gardens at Versailles. Godeau's design consisted of geometric patterns, with avenues and moats, which separated the garden from its natural surroundings. Beyond the formal gardens was the Carp Pond. Towards the end of the 18th century, a less formal, more natural-looking garden design became fashionable. In 1787 the Royal Gardener Georg Steiner redesigned the garden in the English landscape style for Friedrich Wilhelm II, the work being directed by Peter Joseph Lenné. After the Second World War, the centre of the garden was restored to its previous baroque style.