History of Sweden between 0 AD - 399 AD
The Roman Iron Age (1-400) is the name that Swedish archaeologist Oscar Montelius gave to a part of the Iron Age in Scandinavia, Northern Germany and the Netherlands. The name comes from the hold that the Roman Empire had begun to exert on the Germanic tribes of Northern Europe. Therefore, the preceding part of the Iron Age is called the Pre-Roman Iron Age, which had grown out of the Nordic Bronze Age. The age that followed the Roman Iron Age is called the Germanic Iron Age or the Age of Migrations.
In Scandinavia, there was a great import of goods, such as coins (more than 7,000), vessels, bronze images, glass beakers, enameled buckles, weapons, etc. Moreover, the style of metal objects and clay vessels was markedly Roman. Objects such as shears and pawns appear for the first time. In the 3rd century and 4th century, some elements are imported from Germanic tribes that had settled north of the Black Sea, such as the runes. There are also many bog bodies from this time in Denmark, Schleswig and southern Sweden. Together with the bodies, there are weapons, household wares and clothes of wool. Great ships made for rowing have been found from the 4th century in Nydam Mose in southern Denmark.
The prime burial tradition was cremation, but the third century and thereafter saw an increase in inhumation. Through the 5th century and 6th century, gold and silver become more and more common. This time saw the ransack of the Roman Empire by Germanic tribes, from which many Scandinavians returned with gold and silver. A new Iron Age had begun in Northern Europe, the Germanic Iron Age.
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.