History of Sweden between 0 AD - 399 AD
The Roman Iron Age (1-400) is the name that Swedish archaeologist Oscar Montelius gave to a part of the Iron Age in Scandinavia, Northern Germany and the Netherlands. The name comes from the hold that the Roman Empire had begun to exert on the Germanic tribes of Northern Europe. Therefore, the preceding part of the Iron Age is called the Pre-Roman Iron Age, which had grown out of the Nordic Bronze Age. The age that followed the Roman Iron Age is called the Germanic Iron Age or the Age of Migrations.
In Scandinavia, there was a great import of goods, such as coins (more than 7,000), vessels, bronze images, glass beakers, enameled buckles, weapons, etc. Moreover, the style of metal objects and clay vessels was markedly Roman. Objects such as shears and pawns appear for the first time. In the 3rd century and 4th century, some elements are imported from Germanic tribes that had settled north of the Black Sea, such as the runes. There are also many bog bodies from this time in Denmark, Schleswig and southern Sweden. Together with the bodies, there are weapons, household wares and clothes of wool. Great ships made for rowing have been found from the 4th century in Nydam Mose in southern Denmark.
The prime burial tradition was cremation, but the third century and thereafter saw an increase in inhumation. Through the 5th century and 6th century, gold and silver become more and more common. This time saw the ransack of the Roman Empire by Germanic tribes, from which many Scandinavians returned with gold and silver. A new Iron Age had begun in Northern Europe, the Germanic Iron Age.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.