Roman Iron Age
History of Sweden between 0 AD - 399 AD
The Roman Iron Age (1-400) is the name that Swedish archaeologist Oscar Montelius gave to a part of the Iron Age in Scandinavia, Northern Germany and the Netherlands. The name comes from the hold that the Roman Empire had begun to exert on the Germanic tribes of Northern Europe. Therefore, the preceding part of the Iron Age is called the Pre-Roman Iron Age, which had grown out of the Nordic Bronze Age. The age that followed the Roman Iron Age is called the Germanic Iron Age or the Age of Migrations.
In Scandinavia, there was a great import of goods, such as coins (more than 7,000), vessels, bronze images, glass beakers, enameled buckles, weapons, etc. Moreover, the style of metal objects and clay vessels was markedly Roman. Objects such as shears and pawns appear for the first time. In the 3rd century and 4th century, some elements are imported from Germanic tribes that had settled north of the Black Sea, such as the runes. There are also many bog bodies from this time in Denmark, Schleswig and southern Sweden. Together with the bodies, there are weapons, household wares and clothes of wool. Great ships made for rowing have been found from the 4th century in Nydam Mose in southern Denmark.
The prime burial tradition was cremation, but the third century and thereafter saw an increase in inhumation. Through the 5th century and 6th century, gold and silver become more and more common. This time saw the ransack of the Roman Empire by Germanic tribes, from which many Scandinavians returned with gold and silver. A new Iron Age had begun in Northern Europe, the Germanic Iron Age.
Rerefences: Wikipedia
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Saint-Eustache
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.