Roman Iron Age
History of Sweden between 0 AD - 399 AD
The Roman Iron Age (1-400) is the name that Swedish archaeologist Oscar Montelius gave to a part of the Iron Age in Scandinavia, Northern Germany and the Netherlands. The name comes from the hold that the Roman Empire had begun to exert on the Germanic tribes of Northern Europe. Therefore, the preceding part of the Iron Age is called the Pre-Roman Iron Age, which had grown out of the Nordic Bronze Age. The age that followed the Roman Iron Age is called the Germanic Iron Age or the Age of Migrations.
In Scandinavia, there was a great import of goods, such as coins (more than 7,000), vessels, bronze images, glass beakers, enameled buckles, weapons, etc. Moreover, the style of metal objects and clay vessels was markedly Roman. Objects such as shears and pawns appear for the first time. In the 3rd century and 4th century, some elements are imported from Germanic tribes that had settled north of the Black Sea, such as the runes. There are also many bog bodies from this time in Denmark, Schleswig and southern Sweden. Together with the bodies, there are weapons, household wares and clothes of wool. Great ships made for rowing have been found from the 4th century in Nydam Mose in southern Denmark.
The prime burial tradition was cremation, but the third century and thereafter saw an increase in inhumation. Through the 5th century and 6th century, gold and silver become more and more common. This time saw the ransack of the Roman Empire by Germanic tribes, from which many Scandinavians returned with gold and silver. A new Iron Age had begun in Northern Europe, the Germanic Iron Age.
Rerefences: Wikipedia
Popular sites founded between 0 AD and 399 AD in Sweden
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Kromeriz Castle and Gardens
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.