Hovgården is an archaeological site on the Lake Mälaren island of Adelsö. During the Viking Age, the centre of the prospering Mälaren Valley was the settlement Birka, founded in the mid-8th century and abandoned in the late 10th century and located on the island Björkö just south of Adelsö. Hovgården is believed to have been the site from where kings and chieftains ruled the area. Hovgården, together with Birka became a UNESCO World Heritage Site in 1993.
The oldest archaeological remains on Adelsö, found north of Hovgården, are grave fields and burial mounds from the Bronze Age (c. 1800-500 BCE). Apparently this culture survived into the Iron Age (500-800 CE) as graves from the early part of this period have been found at several locations in the area. At Hovgården some 124 graves have been found; the oldest from late Roman Iron Age (1-400 CE) and the youngest from the beginning of the Middle Ages (c. 1050-1520), indicating the area has been settled uninterruptedly throughout this period.
Just north of the parish church are five large burial mounds of which three are called Kungshögar. In Swedish, Kung meaning King and högar, from the Old Norse word haugr, meaning mound or barrow. Hovgården apparently was the location for a royal estate Kungsgård as early as the Viking Age (c. 800-1050 CE). An excavation of one of these royal mounds in 1917 revealed the remains of a wealthy man who lived around 900 CE. He was burned lying in a boat, dressed in expensive clothing but without weapons, accompanied by horses, cows, and dogs.
Birka, the oldest town in Sweden, was an international trade post. It has been assumed the royal settlement at Hovgården was established as the king's mean of controlling Birka. However, while Birka was abandoned in the mid-10th century, the royal estate was apparently not as the runestone U 11 from around 1070 which claims to have been carved for the king was erected next to the royal mounds. It was part of Uppsala öd, a network of royal estates supporting the Kings of Sweden.
Furthermore, King Magnus Barnlock had the old castle replaced by a palace built in brick, Alsnö hus, in the 1270s. In the palace, the king established the Swedish nobility through the Ordinance of Alsnö (Alsnö stadga) in 1279. However, the palace was destroyed before the end of that century, and as it was left to decay Hovgården lost in importance.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.