History of Sweden between 400 AD - 539 AD
The Migration Period was in general a period of intensified human migration in Europe from about 400 to 800 AD. The changes in material culture marking the start of the Migration Period appear to coincide with the arrival of the Huns on the continental stage. A brief tumultuous phase ensued during which Western Rome collapsed and Eastern Rome held the barbarians at bay only through enormous peace payments. As a consequence, the Scandinavian elite of the time was inundated with gold. It was used to produce some very fine goldsmith work including filigree collars and bracteate pendants. The memory of this Golden Age reverberates through all the main early Germanic poetry cycles, including Beowulf and the Niebelungenlied.
Another feature of the Migration Period that had far-reaching consequences was the development of the first Scandinavian animal art. Inspired by provincial Roman chip-carved belt mounts decorated with lions and dolphins along the edges, Scandinavian artisans of the Migration Period developed first the Nydam Style, and then the highly abstract and sophisticated Style I from c. 450 onward.
The Migration Period was long believed to have been a time of crisis and devastation in Scandinavia. In recent decades, however, scholarship has gravitated to the view that the period was in fact one of prosperity and glorious elite culture, but that it ended with a severe crisis, possibly having to do with the AD 535-536 atmospheric dust event and the concomitant famine.
The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick. The tower was likely inhabited by the principal family or clan of the area but also served as a last resort for the village in case of an attack.
The broch continued to be inhabited while it began to collapse and the original structures were altered. The cistern was filled in and the interior was repartitioned. The ruin visible today reflects this secondary phase of the broch's use.
The site is surrounded by three ditches cut out of the rock with stone ramparts, encircling an area of around 45 metres diameter. The remains of numerous small stone dwellings with small yards and sheds can be found between the inner ditch and the tower. These were built after the tower, but were a part of the settlement's initial conception. A 'main street' connects the outer entrance to the broch. The settlement is the best-preserved of all broch villages.
Pieces of a Roman amphora dating to before 60 AD were found here, lending weight to the record that a 'King of Orkney' submitted to Emperor Claudius at Colchester in 43 AD.
At some point after 100 AD the broch was abandoned and the ditches filled in. It is thought that settlement at the broch continued into the 5th century AD, the period known as Pictish times. By that time the broch was not used anymore and some of its stones were reused to build smaller dwellings on top of the earlier buildings. Until about the 8th century, the site was just a single farmstead.
In the 9th century, a Norse woman was buried at the site in a stone-lined grave with two bronze brooches and a sickle and knife made from iron. Other finds suggest that Norse men were buried here too.