History of Sweden between 400 AD - 539 AD
The Migration Period was in general a period of intensified human migration in Europe from about 400 to 800 AD. The changes in material culture marking the start of the Migration Period appear to coincide with the arrival of the Huns on the continental stage. A brief tumultuous phase ensued during which Western Rome collapsed and Eastern Rome held the barbarians at bay only through enormous peace payments. As a consequence, the Scandinavian elite of the time was inundated with gold. It was used to produce some very fine goldsmith work including filigree collars and bracteate pendants. The memory of this Golden Age reverberates through all the main early Germanic poetry cycles, including Beowulf and the Niebelungenlied.
Another feature of the Migration Period that had far-reaching consequences was the development of the first Scandinavian animal art. Inspired by provincial Roman chip-carved belt mounts decorated with lions and dolphins along the edges, Scandinavian artisans of the Migration Period developed first the Nydam Style, and then the highly abstract and sophisticated Style I from c. 450 onward.
The Migration Period was long believed to have been a time of crisis and devastation in Scandinavia. In recent decades, however, scholarship has gravitated to the view that the period was in fact one of prosperity and glorious elite culture, but that it ended with a severe crisis, possibly having to do with the AD 535-536 atmospheric dust event and the concomitant famine.
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.