History of Latvia between 1945 - 1991
In 1944, when the Soviet military advances reached the area heavy fighting took place in Latvia between German and Soviet troops, which ended with another German defeat. Riga was re-captured by the Soviet Red Army on 13 October 1944. During the course of the war, both occupying forces conscripted Latvians into their armies, in this way increasing the loss of the nation's "live resources". In 1944, part of the Latvian territory once more came under Soviet control and Latvian national partisans began their fight against another occupier – the Soviet Union. 160,000 Latvian inhabitants took refuge from the Soviet army by fleeing to the Germany and Sweden. The first post-war years were marked by particularly dismal and sombre events in the fate of the Latvian nation. On March 25, 1949, 43,000 rural residents ("kulaks") and Latvian patriots ("nationalists") were deported to Siberia in a sweeping repressive Operation Priboi in all three Baltic States, which was carefully planned and approved in Moscow already on January 29, 1949. All together 120,000 Latvian inhabitants were imprisoned or deported to Soviet concentration camps (the Gulag). Some managed to escape arrest and joined the partisans.
In the post-war period, Latvia was forced to adopt Soviet farming methods and the economic infrastructure developed in the 1920s and 1930s was eradicated. Rural areas were forced into collectivisation. The massive influx of labourers, administrators, military personnel and their dependents from Russia and other Soviet republics started. By 1959 about 400,000 persons arrived from other Soviet republics and the ethnic Latvian population had fallen to 62%. An extensive programme to impose bilingualism was initiated in Latvia, limiting the use of Latvian language in favor of Russian. All of the minority schools (Jewish, Polish, Belarusian, Estonian, Lithuanian) were closed down leaving only two languages of instructions in the schools- Latvian and Russian. The Russian language were taught notably, as well as Russian literature, music and history of Soviet Union (actually- history of Russia).
On 5 March 1953 Joseph Stalin died and his successor became Nikita Khrushchev. The period known as the Khrushchev Thaw began but attempts by the national communists led by Eduards Berklavs to gain a degree of autonomy for the republic and protect the rapidly deteriorating position of the Latvian language were not successful. In 1959 after Krushchev's visit in Latvia national communists were stripped of their posts and Berklavs was deported to Russia.
Because Latvia had still maintained a well-developed infrastructure and educated specialists it was decided in Moscow that some of the Soviet Union's most advanced manufacturing factories were to be based in Latvia. New industry was created in Latvia, including a major machinery factory RAF in Jelgava, electrotechnical factories in Riga, chemical factories in Daugavpils, Valmiera and Olaine, as well as food and oil processing plants. However, there were not enough people to operate the newly built factories. In order to expand industrial production, more immigrants from other Soviet republics were transferred into the country, noticeably decreasing the proportion of ethnic Latvians. By 1989, the ethnic Latvians comprised about 52% of the population (1,387,757), compared to a pre-war proportion of 77% (1,467,035). In 2005 there were 1,357,099 ethnic Latvians, showing a real decrease in the titular population. Proportionately, however, the titular nation already comprises approximately 60% of the total population of Latvia (2,375,000).
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.