History of Latvia between 1941 - 1944
The Soviet Union guaranteed its interests in the Baltics with the signing of the Molotov–Ribbentrop Pact between the Soviet Union and Nazi Germany on August 23, 1939. Under threat of invasion, Latvia (along with Estonia and Lithuania) signed a mutual assistance pact with Soviet Union, providing for the stationing of up to 25,000 Soviet troops on Latvian soil. Following the initiative from Nazi Germany, Latvia on October 30, 1939 concluded an agreement to repatriate ethnic Germans in the wake of the impeding Soviet takeover.
Seven months later, the Soviet foreign minister Vyacheslav Molotov accused the Baltic states of conspiracy against the Soviet Union. On June 16, 1940, threatening an invasion, Soviet Union issued an ultimatum demanding that the government be replaced and that an unlimited number of Soviet troops be admitted. Knowing that the Red Army had entered Lithuania a day before, that its troops were massed along the eastern border and mindful of the Soviet military bases in Western Latvia, the government acceded to the demands, and Soviet troops occupied the country on June 17. Staged elections were held July 14–15, 1940, whose results were announced in Moscow 12 hours before the polls closed; Soviet documents show the election results were forged. The newly elected "People's Assembly" declared Latvia a Socialist Soviet Republic and applied for admission into the Soviet Union on July 21. Latvia was incorporated into the Soviet Union on August 5, 1940. The overthrown Latvian government continued to function in exile while the republic was under the Soviet control.
In the spring of 1941, the Soviet central government began planning the mass deportation of anti-Soviet elements from the occupied Baltic states. In preparation, General Ivan Serov, Deputy People's Commissar of Public Security of the Soviet Union, signed the Serov Instructions, "Regarding the Procedure for Carrying out the Deportation of Anti-Soviet Elements from Lithuania, Latvia, and Estonia." During the night of 13–14 June 1941, 15,424 inhabitants of Latvia — including 1,771 Jews and 742 ethnic Russians — were deported to camps and special settlements, mostly in Siberia. 35,000 people were deported in the first year of Soviet occupation (131,500 across the Baltics).
The Nazi invasion, launched a week later, cut short immediate plans to deport several hundred thousand more from the Baltics. Nazi troops occupied Riga on July 1, 1941. Immediately after the installment of German authority, a process of eliminating the Jewish and Gypsy population began, with many killings taking place in Rumbula. The killings were committed by the Einsatzgruppe A, the Wehrmacht and Marines (in Liepāja), as well as by Latvian collaborators, including the 500-1,500 members of the infamous Arajs Commando (which alone killed around 26,000 Jews) and the 2,000 or more Latvian members of the SD. By the end of 1941 almost the entire Jewish population was killed or placed in the concentration camps. In addition, some 25,000 Jews were brought from Germany, Austria and the present-day Czech Republic, of whom around 20,000 were killed. The Holocaust claimed approximately 85,000 lives in Latvia, the vast majority of whom were Jews.
A large number of Latvians resisted the German occupation. The resistance movement was divided between the pro-independence units under the Latvian Central Council and the pro-Soviet units under the Latvian Partisan Movement Headquarters in Moscow. Their Latvian commander was Arturs Sproģis. The Nazis planned to Germanise the Baltics after the war. In 1943 and 1944 two divisions of Waffen-SS were formed from Latvian conscripts and volunteers to help Germany against the Red Army.
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy"s most lavish country retreat: during Spain"s Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer"s house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King"s Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince"s Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI"s old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette"s gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.