Salaspils concentration camp was established at the end of 1941. The Nazi bureaucracy drew distinctions between different types of camps. Officially, Salaspils was a Police Prison and Work Education Camp. It was also known as camp Kurtenhof after the German name for the city of Salaspils. Planning for the development of the camp and its prisoner structure changed several times. In 1943, Heinrich Himmler briefly considered converting the camp into an official concentration camp, which would have formally subordinated the camp to the National Security Main Office, but nothing came of this.
The camp site was prepared in October 1941 by Soviet prisoners of war from the Salaspils branch camp Stalag 350/Z of the Riga of base camp 350 and by deported Czech Jews as well as few German Jews from KZ Jungfernhof. In the middle of January 1942 at least 1,000 Jews from the Riga Ghetto were forced to work building the camp. Insufficient accommodation and sanitary conditions, lack of nutrition and severe cold weather caused an extraordinarily high number of deaths.
The Nazis had planned to deport the last remaining Jews from Germany by the end of the summer of 1942. To support this, the plans for the Salaspils camp were revised in an effort to allow the camp to accommodate 15,000 Jews deported from Germany. The camp by then played three roles, general police prison, later the security police prisoner camp, and then a forced labor camp. However the last expansion plan was not carried out.
In the autumn of 1942 the camp comprised 15 barracks of the 45 that were planned, housing 1,800 prisoners. Although a police prison and work education camp, Salaspils became comparable to a German concentration camp in the way the work was organized, the types of prisoners, as well as their treatment, as they recounted later.
By the end of 1942 the Salaspils camp held mainly political prisoners (who had originally been incarcerated at the Riga central prison without due process under 'protective custody orders') and interned foreigners such as Latvian returnees from Russia, whom the Nazis considered politically suspect. Furthermore work education prisoners and recruits to local Latvian collaboration units who had committed routine crimes. There were in the camp only twelve Jews; many had died or been returned to Riga in weak condition.
Typhoid fever, measles and other diseases killed about half of the children at the camp. In one of the burial places by the camp, 632 corpses of children of ages 5 to 9 were revealed.
About 12,000 prisoners went through the camp during its existence. In addition to the German Jews who perished during the construction phase about 2,000 to 3,000 people died here due to illness, heavy labour, inhuman treatment, epidemy, etc.
Starting in 1949 legal proceedings were brought against some of the persons responsible for the Nazi crimes in Latvia, including the Riga Ghetto, and the Jungfernhof and Salaspils concentration camps. Some accused were condemned to life imprisonment. Gerhard Kurt Maywald is one such nazi, convicted of crimes committed in the camp.
In 1967 a memorial was established in Salaspils, which included an exhibit room, several sculptures and a large marble block. During the time of the Soviet Union, the Russian group “Singing Guitars” had dedicated a song “Salaspils” to the children's camp.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.