Medieval castles in Slovenia

Hompos Castle

Hompoš castle was mentioned in 1323. It changed hands several times before during centuries before been nationalized after the World War II. Today it is completely modernized with adjacent Pohorski palace.
Founded: 14th century | Location: Pivola, Slovenia

Sneznik Castle

Snežnik Castle construction time is unclear; its existence is first implied in 1269, by way of mention of its owner Meinhard von Schneberg. The castle itself was first mentioned in 1461, at the time it was a possession of the Patriarchate of Aquileia, with the Schnebergs as their ministeriales. In 1393, a quarter-share of it and several neighboring farms was purchased by William II von Lamberg, a relative of the Schneber ...
Founded: 15th century | Location: Kozarišče, Slovenia

Bostanj Castle Ruins

Boštanj (Weissenstein in German) castle was probably built in the late 1400s to the site of ancient fort. In 1558 it was expanded and surrounded with walls and towers. In 1678 the castle was bought by the family Ursini-Blagaj, who owned the castle until the 20th century. In 1944 the castle was burned down by Slovenian partisans.
Founded: 15th century | Location: Veliko Mlačevo, Slovenia

Crni Kal Castle

The castle of Črni Kal was noted in the 11th century. Apart from being a resting place for traders and travellers, it was also the place of the conflict between the Habsburgs and the Venetians for the dominance of Koper. The ruins of a castle overlooking Črni Kal, called Town or Old Town by domicile inhabitants, stand on a cliff some 30 meters high that once could be reached only by a four-meter-long drawbridge. Situat ...
Founded: 11th century | Location: Črni Kal, Slovenia

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Barnenez Cairn

The Cairn of Barnenez is the largest Megalithic mausoleum in Europe. It dates from the early Neolithic Age is considered one of the earliest megalithic monuments in Europe. It is also remarkable for the presence of megalithic art. Radiocarbon dates indicate that the first phase of the monument was erected between 4850 and 4250 BC, and the second phase between 4450 and 4000 BC. Pottery found in and around the monument indicates that it underwent a period of reuse in the Bronze Age, in the 3rd millennium BC.

The cairn was first mapped in 1807, in the context of the Napoleonic cadaster. Its first scientific recognition took place in the context of an academic congress in Morlaix in 1850, when it was classified as a tumulus. Privately owned until the 1950s, the cairn was used as a quarry for paving stones. This activity, which threatened to destroy the monument, was only halted after the discovery of several of its chambers in the 1950s. The local community then took control of the site. The cairn was restored between 1954 and 1968. At the same time, vegetation was removed from the mound and systematic excavation took place in and around the monument.

Today, the Barnenez cairn is 72 m long, up to 25 m wide and over 8 m high. It is built of 13,000 to 14,000 tons of stone. It contains 11 chambers entered by separate passages. The mound has steep facades and a stepped profile. Several internal walls either represent earlier facades or served the stability of the structure. The cairn consists of relatively small blocks of stone, with only the chambers being truly megalithic in character. The monument overlooks the Bay of Morlaix, probably a fertile coastal plain at the time of its erection.

Engraved symbols occur in several of the chambers and passages. They depict bows, axes, wave symbols or snakes and a repeated U-shaped sign. One of the carved slabs is in secondary use was originally part of a different structure, an interesting parallel to the situation in several other such monuments, including Gavrinis. The symbols on the engraved blocks resemble those found in other megalithic monuments in Brittany; in broader terms they belong to the cultural phenomenon described as megalithic art. One of the recurring symbols is sometimes interpreted as an anthropomorphic depiction (the so-called \'Dolmen Goddess\').

An exhibition in the modern entrance building explains the results of scientific excavation and displays some objects from the site.