Monasteries in Switzerland

Hauterive Abbey

The land for the Hauterive abbey was donated between 1132-1137 by Baron Guillaume de Glâne (died in 1143, his grave is in the church). After monks moved down from Cherlieu Abbey in northern Burgundy and inhabited the buildings, the Bishop of Lausanne granted permission to consecrate the abbey in 1137. It was then consecrated on 25 February 1138. With support from the local nobility and the Bishop of Lausanne, the a ...
Founded: 1138 | Location: Posieux, Switzerland

La Maigrauge Abbey

La Maigrauge Abbey is a monastery of Cistercian nuns located in Fribourg, Switzerland. In the mid-1250s, a small group of women came together in the region of Fribourg to follow a life of prayer under the guidance of the Rule of St. Benedict. They seem to have been neither Beguines nor aristocrats, as so many foundresses of women"s monasteries were. Their names have not even been preserved. They were giv ...
Founded: 1255 | Location: Fribourg, Switzerland

Fischingen Abbey

Fischingen Abbey was founded in 1138 by Ulrich II, Bishop of Constanz as a private episcopal monastery, with the intention that it should offer shelter and hospitality to pilgrims on their way from Constanz to Einsiedeln Abbey. The hermit Gebino was appointed the first abbot. In only six years he had had built a bell tower, accommodation for both monks and nuns, and a guesthouse. At its high point in about 1210, Fis ...
Founded: 1138 | Location: Fischingen, Switzerland

Ittingen Charterhouse

Ittingen Charterhouse is a former Carthusian monastery near Warth. It is now used as an education and seminar centre with two museums and a farm. The monastery was founded in 1150 for the Canons Regular. In 1461 the premises were sold to the Carthusians. In 1524, during the Reformation, the monastery was destroyed in the Ittingersturm, but was rebuilt during the Counter-Reformation. In 1798 the officials of the H ...
Founded: 1150 | Location: Warth, Switzerland

Appenzell Monastery

A first convent for women in Appenzell was officially mentioned in 1420/21. In 1613, four Capuchin nuns from Wonnenstein and five from Grimmenstein met with the sisters of the old convent to form a new community in Appenzell. The construction of the monastery church took place in 1619-1621. The monastery was built in 1679-1682.
Founded: 1420 | Location: Appenzell, Switzerland

Königsfelden Monastery

Königsfelden Monastery is a former Franciscan double monastery, which housed both a community of Poor Clare nuns and one of Franciscan friars, living in separate wings. It was founded in 1308 by the Habsburgs. In the course of the Protestant Reformation in Switzerland in 1528 it was secularized, and the complex was then the residence of the bailiffs of Bern. On May 1, 1308, King Albert I of Austria was mu ...
Founded: 1308 | Location: Windisch, Switzerland

Muri Abbey

The monastery of Saint Martin of Tours at Muri was founded in 1027 by Radbot, Count of Habsburg, one of the progenitors of the House of Habsburg. Rha, a daughter of Frederick, Duke of Lower Lorraine, and Werner, Bishop of Strasburg, each donated a portion of land to a monastery which they established there. A colony of monks was drawn from the nearby Einsiedeln Abbey, under the leadership of Prior Reginbold. On h ...
Founded: 1027 | Location: Muri, Switzerland

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Royal Palace of Aranjuez

Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.

After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.

Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.

The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.

The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.

Real Casa del Labrador

As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.

King's Garden, the Island Garden, Parterre Garden and the Prince's Garden

Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.

Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.

The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.