The Church of the Holy Salvation is a Pre-Romanesque church and quite important in Croatia, as it is the only pre-schism church constructed with a bell tower which is still standing.
It was a large stone church for that period. The church is a one-longitudinal-nave structure with a sanctuary consisting of three apses, in the form of a trefoil. Later, the middle apse was pulled down and substituted by a bigger, rectangular one. The church has strong semi-circular buttresses that give a feeling of fortification, emphasized with mighty bell-tower positioned in front of entrance, creating a westwork.
The church was built near Vrlika, called Vrh Rike in the 9th-10th century. It was dated to the time of Duke Branimir of Dalmatian Croatia through comparative analysis of an altar beam with other artefacts carrying Branimir's name by Ivo Petricioli in 1980 and 1984. It is one of the oldest and best preserved larger monuments of the early pre-Romanesque sacral architecture.
The church was built by the local župan (district-prefect) Gastika of Cetina, at the recommendation of Pope Stephen VI, but as a private church, built in memory of his family. The most important is the fragment of a beam with semi-uncial inscriptions from it is known that the church had been dedicated to Christ and built on the order of the prefect Gastika, the son of Nemira.
The graves found near the Church, dated to the 9th through 14th century, had a specific kind of textile that was found to be comparable in quality with 18th and 19th century clothing. There are over 1,026 old Croatian graves around the church of great archaeological interest. Several tombs have been found in the church itself, most of which (more than 800) originally had stećci. The culture of that time was influenced by the Frankish Empire, which was noticed in the archaeological findings from the period and the structure of the church.
In the early 15th century, Hrvoje Vukčić strengthened the Prozor Fortress, and most of the inhabitants moved out of Vrh Rika into Vrlika. The fortress subsequently belonged to Ivaniš Nelipac, Ivan Frankopan and Mihača Nikolin Vitturi. After a 1492 invasion by the Ottoman Empire, the church and the settlement sustained heavy damage and a substantial part of the inhabitants fled to Turopolje.
The Serbian Orthodox Eparchy of Dalmatia published a conflicting assessment of the origin of the Holy Salvation, originally published by Mirko Ležaić in 1939 in Belgrade, saying Tvrtko I built it, and that it was destroyed by the Turks in 1512. In 1940, the new church of the Ascension of the Lord was built by Marko Četnik and his wife Jelena.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.