The first lords of Brusque and Fayet were the viscounts of Albi in the 11th century, the viscounts of Béziers and Carcassonne in the 12th century, the counts of Toulouse in the 13th century, and, finally, the lords of Castelnau-Bretenoux in the 14th century.
In the 16th century, the daughter of Guy de Castelnau, Jacquette de Clermont, married Jean V de Arpajon and her dowry was used for the restoration and enlargement of the castle. The stone balustrade, decorated with two harps (the coat of arms of the powerful family of Rouergue), dates from this time.
Henri de Navarre, the future Henry IV, resided for a period in the Château de Fayet and would have seen the row of living rooms that was, at the time, entirely made of papered hangings. Some of these were framed decorations painted using dyes made by Rougier de Camarès. These paintings formed the basis of many frescoes, particularly the ceilings. Themes of these frescoes included symbols of the Compagnons du Devoir, other icons of esoteric significance, rich decorations with precious stones, and also representations of the arts.
The castle belonged to the scions of Jacquette and Jean V of Arpajon, among them François, count of Roussy, whose daughter married the duke and marshal of Biron. In the French Revolution, the latter, old and deaf, was condemned to the guillotine for conspiring against the Republic. Before the execution, the duchess of Biron had time to sell the castle to André Jean Simon of Nougarède, titled baron of Brusque and Fayet by the emperor Napoleon I.
The second baron of Fayet, having no descendants, sold the castle to a pair of men named Soulas and Roques. They completed some work on the castle to restore the authenticity of its appearance. Subsequently, the castle was purchased by Cabanel, priest of Notre Dame des Tables à Montpellier, who, using an anonymous gift of a million Franks, became the owner of the castle and its fields. The gift was to be used for the creation of an orphanage directed by monks of the congregation of Salesians, followers of Saint Jean de Bosco.
In 1999, Pierre Dussert bought the Château de Fayet. He started the association to restore life to the site. The Château de Fayet is one of a group of 23 castles in Aveyron who have joined together to provide a tourist itinerary as La Route des Seigneurs du Rouergue.
Built over a hillock, the Château de Fayet dominates the valley. Militarily positioned behind the Rance River with direct contacts with the Albigeois. The exit of the gorge was once part of the Château de Brusque, but it was partly demolished in the 13th century to become the common priory and seigniory of Fayet.
A chapel originally marked the confluence of Nuéjouls and Dourdou de Camarès; a defensive building, surrounded by ditches, replaced it in order to monitor the banks and formed a secondary line of defense.
The current castle building forms a punctuated regular parallelogram. The Renaissance Italian architect who designed the castle added a line of trees to shelter the castle from inquisitive eyes. Once past the long alley bordered with lime and chestnut trees, one lands on the main courtyard of the castle. The eye-shaped courtyard contains a fountain with a double basin and a majestic well. The stone edge wall, in the shape of a pot, is supported by two pillars built in 1564 by Guy de Castelnau.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".