A church at the site of current San Bartolomeo was present by the 15th century, but the frequent earthquakes that afflict Sicily, including a local tremor in 1693, may have forced the reconstruction of the church to begin in 1752. The facade transitions from late-Baroque to Neoclassical, starting with 18th-century designs by Antonio Mazza, modified later by Salvatore Alì and with the top completed in 1815 by Father Ventura. The iron gate in the portal was designed by Alì in 1822.
The facade presents a triangular front, with columns rising from Doric to Ionic to Corinthian, and culminating in a belfry with a ribbed dome. The roofline houses a statue of Madonna and Child, flanked by two pairs of saints, Peter, Paul del Marabitti, Bartholomew and William.
The interior has a single nave, with a Latin cross plan. The entrance is flanked by tomb monuments of the Micciche family (1631) sculpted by Francesco Lucchese. The church houses a silver processional reliquary/crib, covered in silver in 1862, which housed an icon of the child Jesus, called the Golden Cicidda, and carried in procession on Christmas Day.
In the north transept is arrayed a grand Presepe, or Nativity, (1773-1776) sculpted by Pietro Padula. Of the original 65 statues there are only 29. The backgrounds may be more recent. Adjacent to Nativity Chapel, is the Chapel of the Immaculate Conception with a silver coated statue, made in 1850 by the brothers Catera.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.