The church of Santa Chiara is located in Corso Vittorio Emanuele, next to the former Benedictine monastery of the Holy Crucifix.The church was designed by Rosario Gagliardi around 1730, it was completed in 1758 and later annexed to the monastery belonged the Benedictine nuns (which is now a museum).
It represents an important example of baroque architecture.The façade of the church was originally located in Corso Vittorio Emanuele. It had a portal surmounted by a broken vault, while at the centre there was a window with a large circular gable decorated with battlements. In the 19th century, as a result of previous excavation works, the church’s entrance turned to be above the street level, which practically obstructed the access to the worship place. The same thing happened to the portal of the monastery (now walled but easily detectable by lavish baroque battlements and pyramidal pinnacles which are still visible).The current façade, located in via Capponi, has the main entrance located on a small staircase.
Among the many artworks inside the church, there is an altarpiece depicting Santa Chiara, San Benedetto and Santa Scolastica, made by Salvatore Lo Forte in 1854 and a 16th century marble-made sculpture of the Virgin and the Child, attributed to Antonello Gagin.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.