The so-called Temple of Demeter (the remains of which are located below of the church of San Biagio) can be dated between 480 and 470 BCE. This temple offers an interesting example of distylous building in antis, i.e.without an outer colonnade. It has a simple cella preceded by a pronaos (ante-room) with two columns.
Still preserved from the original structure are the base (30 by 13 m approx and partly visible), the outer cella walls and the wall between the cella and the pronaos. These remaing parts have been incorporated in the medieval church dedicated to St. Biagio. The beautiful water spouts in the shape of lion’s heads from this building can still be seen in the Regional Archaeological Museum of Agrigento in the room dedicated to architectural sculptures.
The Temple of Demeter in the classical period was part of a temenos, a sacred enclosure that included other adjacent structures, such as two small round altars with a central bothros or holy well. Inside, archaeologists found kernoi (ritual vessels linked to the cult of Persephone) and the remains of busts that must have represented Demeter.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.