The Sicilian town of Agrigento was an important Greek colony in the 6th century BC and today it has some of the best preserved Greek remains outside of Greece itself. The Valley of the Temples (Valle dei Templi) contains a number of ruined temples in a spectacular countryside setting.
Due to its good state of preservation, the Temple of Concordia is ranked amongst the most notable edifices of the Greek civilization existing today. It has a peristasis of 6 x 13 columns built over a basement of 39.44 x 16.91 m; each Doric column has twenty grooves and a slight entasis, and is surmounted by an architrave with triglyphs and metopes; also perfectly preserved are the tympani. The cella, preceded by a pronaos, is accessed by a single step; also existing are the pylons with the stairs which allowed to reach the roof and, over the cella's walls and in the blocks of the peristasis entablature, the holes for the wooden beam of the ceiling. The exterior and the interior of the temple were covered by polychrome stucco. The upper frame had gutters with lion-like protomes, while the roof was covered by marble tiles.
When the temple was turned into a church the entrance was moved to the rear, and the rear wall of the cella was destroyed. The spaces between the columns were closed, while 12 arched openings were created in the cella, in order to obtain a structure with one nave and two aisles. The pagan altar was destroyed and sacristies were carved out in the eastern corners. The sepultures visible inside and outside the temple date to the High Middle Age.
This temple was constructed on a mostly artificial spur. It dates to c. 450 BC, measuring 38.15 x 16.90 m: it is in Doric style, peripteros six columns wide by thirteen long, preceded by a pronaos and opisthodomos. The basement has four steps.
Current remains (including anastylosis from the 18th century onwards) consist of the front colonnade with parts of the architrave and of the frieze. Only fragments of the other three sides survive, with few elements of the cella. The building was damaged in the fire of 406 BC and restored in Roman times, with the substitution of marble tiles with ones of clay, and the addition of a steep rise in the area where today can be seen the remains of the altar.
Nearby are arcosolia and other sepultures from Byzantine times, belonging to the late 6th century AD renovation of the Temple of Concordia into a Christian church.
The small temple, probably dating to the late 5th century BC and measuring 21.7 x 10.7 m, rises over a basement with three steps. Its peculiarity is the fake opysthodomus with two semi-columns in the external side of the rear cella. Also extant are parts of the entablature, with lion-like protomes, a frieze and a geison pediment.
The sanctuary housed a bronze statue of Apollo by Myron, a gift to the city by Scipio, which was stolen by Verres.
Stylistically, the temple belongs to the last years of the 6th century BC. It has been also suggested that this temple was one of the first built under Theron. Also the entablature, of which parts have been found, would date it to the 470-460s or the middle 5th century BC (though the more recent remains could be a replacement of the older ones). One hypothesis is that the temple was begun before the Battle of Himera, to be completed only in the following decades. Polyaenus mentions a temple of Athena being built under Theron outside the city, which could be identified with that of "Hercules", though also with a new one in the inner acropolis.
The building, with 20th-century anastylosis, measures 67 x 25.34 m, with a peristasis of 6 x 15 Doric columns and a cella with pronaos and opysthodomus, is located over a three-step basement. It is the first example (later become common in the Agrigento temples) of pylons inserted between the pronaos and cella, housing the stair which allowed inspections of the roof. The columns are rather high and have wide capitals. On the eastern side are remains of the large altar.
On the other side of the road running through the Golden Gate of the ancient city, is a plain commanded by the huge Olympeion field. This includes a platea with a large temple to Olympian Zeus, plus other areas still under investigation. These include a sanctuary, with remains of a paved square, a complex sacellum ("holy enclosure") and a tholos. This, after another gate, is followed by a sanctuary of chthonic deities, an archaic sanctuary, the so-called colimbetra (where was a still unknown gate) and the tip of the spur where the sanctuary is located, with the temple of Vulcan.
The Olympeion complex's main attraction is the huge temple of Olympian Zeus, which was described with enthusiastic words by Diodorus Siculus and mentioned by Polybius. Today it is reduced to ruins due to destruction begun in antiquity and continued through the 18th century, when the temple was used as a quarry for the port of Porto Empedocle.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.