The Abbey of the Santo Spirito (Holy Spirit), built by the Norman Count Ruggero and his wife Queen Adelasia in 1092–1098, was consecrated in 1153. It has been greatly altered in subsequent centuries. The original outlines are still identifiable to the rear, where its characteristic massive jutting apses can be seen. These are separated by flat pilasters and connected by a series of small arches. The left-hand entrance has an ogival portal from the 13th century. The lunette once contained a figure of Christ Blessing, which was eventually moved inside the Abbey. Notable are the rectangular nave and wooden-beamed ceiling. The walls and the apses have frescoes attributed to the 14th century. The vault of the apse shows a 17th-century figure of Christ Pantocrator.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.