Santi Pietro e Paolo d’Agrò church one of the foremost examples on Sicily of Norman architecture. The church was constructed during the 12th century as part of a Basilian monastery. Its exterior is characterised by its block-like form, but the facade is richly decorated. Inside, the church has the plan of a basilica with three aisles. Two domes rise from the central nave, one above its centre and one above the choir.
The architecture of the church displays influences from a vast variety of sources, and constitutes heritage of Muslims, Byzantines, and Normans. The block-like form of the exterior is reminiscent of North African contemporary architecture while the floor plan of the church is similar to the way churches were built in the Byzantine architectural tradition. Its principle of construction at the same time is essentially that of Western European Gothic architecture. In its details and decorations, too, the church exhibits a wealth of influences (e.g. in the use of muqarnas vaulting).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.