The Church of Saint Nicholas Orphanos is an early 14th-century Byzantine church in Thessaloniki.
The church's name, 'Saint Nicholas the Orphan', is first attested in the 17th and 18th centuries, and presumably refers to its otherwise unknown ktetor (founder). From its interior decoration, the building is dated to the period 1310–1320. The church originally formed part of a monastery, traces of which (remnants of a gate) survive to the east.
The church was originally built as a simple, single-aisled edifice with a wooden gabled roof. Later, aisles were added on three sides. They form an ambulatory, under whose floor several graves have been found. The masonry features irregular layers of brick and stone, with a few ceramics on the eastern side and brick decoration on the eastern and western sides. In the interior, the central aisle is connected to the others with double openings decorated with reused late antique capitals. The church's original marble templon survives.
The church is most notable for its frescoes, contemporary with the church's construction, which cover almost the entire interior surface. The frescoes are an example of the Thessalonican school at the height of the 'Palaiologan Renaissance', and their creator may be the same who decorated the Hilandar monastery in Mount Athos in 1314. The church has been linked to the Serbian king Stephen Uroš II Milutin (r. 1282–1321), who is known to have sponsored churches in the city, on account of the depiction in the main aisle of St George Gorgos, the Serbian ruler's patron saint, and of St. Clemens of Ohrid, a favourite motif of the Serbian churches.
The monastery continued functioning throughout the Ottoman period. The frescoes were uncovered in 1957–1960 during restoration works.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.