The Church of Prophet Elijah is a 14th-century church in Thessaloniki, and a UNESCO World Heritage Site.
The church is located in the upper quarter of the old city, and dates to the Palaiologan period, but its original dedication is unknown. In Ottoman times, it was known as the Saraylı Mosque (Palace Mosque or Court Mosque), and through a misinterpretation of this name came about its modern dedication to the Prophet Elijah. It has been traditionally identified as the katholikon of the Nea Moni monastery, built ca. 1360–1370 on the site of a former palace destroyed in 1342 by the Zealot uprising. Modern research, however, has cast doubt on this, since the Nea Moni continued to operate well into the Ottoman period, while the church of Prophet Elijah was converted into a mosque by Badrah Mustafa Pasha immediately after the city's capture in 1430. On the basis of its internal decoration, it has been suggested that the church was the katholikon of the important Akapniou Monastery.
Its architectural style, a variant of cross-in-square church known as the 'Athonite type', is unique in the city, and was always reserved for katholika of monasteries. The careful masonry, of alternating courses of bricks and white ashlar, is also unusual for Thessaloniki and its region; it is copied from Constantinopolitan architecture. Several of its architectural features have also been interpreted as set to create an ambient atmosphere directly connected with the type of worship, through the way natural light is distributed. Fragments of the church's original decoration survive in the form of wall paintings, fine examples of late Palaiologan art, which influenced later paintings in Serbia.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.