Burntisland Parish Church was constructed for the Church of Scotland in 1592. It is historically important as one of the first churches built in Scotland after the Reformation.
The building is notable for its square design: the interior is 18m square with four arched piers reaching in diagonally from the corners to form a 6m square in the centre. Various models for it have been suggested, mainly in the Low Countries, but no candidate has been found to predate it, and it is therefore probably an original Scottish design.
It incorporates a gallery with a separate exit, for sailors to leave the service when the timing of the tide dictated that it was time to sail.
The tower was rebuilt by Samuel Neilson in 1748. Significant renovations were carried out by David Vertue in 1822; he enlarged the windows and removed many of the old pews.
It is decorated inside with carved wooden panels, many of which relate to the town's maritime history, depicting ships, shipowners, and nautical trades. As well as sailors, there were also areas for the guilds of schoolmasters, tailors, hammermen, maltsters, and bakers. A painted panel in the west gallery from 1930 commemorates the 800th anniversary of the old church at Kirkton.
The 1606 Magistrate's Pew (formerly known as the Burntisland Castle Pew) in the northeast corner was built for Robert Melville of Rossend. In 1907 Robert Rowand Anderson supervised renovation of this and other parts of the interior. The bell was cast by Isobel Meikle in 1708. The organ was paid for by Fife-born industrialist Andrew Carnegie. The church was extensively renovated in the 1990s.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.