Balhousie Castle was built in 1631, although its origins are believed to go back a further three hundred years. It originally served as the seat of the Earls of Kinnoull, and stood within a walled enclosure containing subsidiary buildings, orchards etc., on a terrace overlooking the North Inch. After falling into neglect in the early 19th century, the Castle was 'restored' (in fact, virtually rebuilt), and extensively remodelled on a larger scale between 1862 and 1864 in the Scottish Baronial style by the architect David Smart. No original features survive except for parts of the original rubble walls on the east side.
The Regimental Trustees of the Black Watch bought Balhousie Castle in January 2009 and it became the Regimental Headquarters and Museum of the regiment. The museum displays the history of the regiment from 1739 to the present. The Black Watch Heritage Appeal was launched in September 2009 allowing the regiment to raise in excess of £3.2 million to develop Balhousie Castle to provide a permanent home for the museum and archive of The Black Watch.
The castle contains No Surrender, a painting by Frank Feller (1848 – 1908), showing the aftermath of the Battle of Magersfontein (11 December 1899) in the Second Boer War.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.