David I granted the chapel at Corstophine to Holyrood Abbey in 1128. By 1158, it had become a church, with altars to Saint Anne and the Holy Trinity.
A burial chapel was added to the church in 1404 by Sir Adam Forrester, who died by 1405. The chapel was dedicated to John the Baptist. The chapel was erected into a collegiate church by his son Sir John Forrester.
The foundation of the current church (on the inner eastmost wall) says the church was built in 1429 in the same churchyard as the earlier parish church, and was completed by 1437. The sandstone church was built with a tower and stone, octagonal spire, rectangular chancel, and a nave with transepts. This included the absorption of earlier Gothic features from the previous building and the erection of the characteristic barrel vaults, which may have concluded by 1436.
In 1634, the collegiate church was dissolved and in 1646 the building became the parish church. At that time the 12th-century church was razed and a new aisle was added to the collegiate fabric.Stones from the former church were used to built the porch. In 1828, a restoration by architect William Burn resulted in a two-storey sacristy, renovation of the nave, removal of a 17th-century aisle, and building of a new aisle and transept.
The nave of the church showing the concrete vaults, which replaced the original stone vaults in 1905.
The church has Scottish heraldic panels and pre-Reformation relics. James Ballantine supplied the Victorian stained glass and Gordon Webster and Nathaniel Bryson supplied the 20th-century windows. Leonardo da Vinci's Last Supper was the inspiration for the heads on the carved corbels made by William Birnie Rhind. On the grounds are a war memorial, vault and gatehouse, surrounded by a boundary wall and cast iron gates.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.