Among the limestone banks that characterise the area there are two low outcrops placed side by side with a slightly sloping rock face, in which a Necropolis (the Sardinian Domus de Janas) was carved. One outcrop houses the Tombs I-II, while the other houses the Tombs III-IX. Depending on the morphology, the entrances are preceded by short dromoi, that is corridors dug into the rock, sometimes leading to a pavilion (Tombs II, VIII, IX), where the access door opens. The tombs are all multicellular, mainly characterised by a “T-shaped” plan; some asymmetries suggest that expansion works have been carried out.
Among the nine tombs, the Tomb VIII stands out for the refinement of the decoration effects. It can be accessed from a raised dromos that leads to a quadrangular vestibule, without ceiling, that shows now only traces of cornices and pilasters. The antechamber has a tabular ceiling with the representation of a wooden roof; the back wall is characterised by a door framed on either side by lowered mirrors and cornices on the model of the wooden structures of domestic architecture which is symbolically imitated in the style of funerary architecture. The walls still preserve dual horn-shaped engravings, of the “boat-shaped” type. In the larger chamber there is a gable roof characterised by a central beam and seven joists per side; in the walls it is possible to see the wainscot at the base and pilasters reproducing the stakes of the supporting wooden structure of the huts. At both sides of the entrance it is possible to see “band” curved horns and the same pattern is repeated along the back wall, which is carved with a fake door, a kind of porta inferi (the door to the underworld). The remaining chambers do not show any decoration. In the adjoining Tomb IX, on the wall of the dromos, it is possible to see two juxtaposed hemispherical cupels.Outside the Tomb VII, there are two menhirs and a flat slab, probably symbols of the funeral area that included the Tombs VIII-IX.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.