The ancient Roman town of Turris Libisonis, located at the mouth of the Rio Mannu was the precursor to the current Porto Torres. This had been a Roman colony since the 1st century BC and, of all the estates belonging to the Republic and the Empire, it was the only one inhabited by Roman citizens: it proudly held the name of Iulia, linked to the figure of Julius Cesar or of Augustus.
Under the long Roman dominion, the town underwent several urban renewals: building of the road system, three thermal baths, an aqueduct and the creation of a port where trade relationships with Ostia took place. The colony, between the end of the 2nd and 3rd centuries AD, was second only to Caralis for number of inhabitants, grandeur and maritime traffic. Buildings that will surprise you with their architectural perfection and evocative power are the domus di Orfeo and the Terme di Pallottino thermal baths as well as the central ones, in an area known as Palazzo di Re Barbaro, in which you will find large rooms with baths and elegant mosaics. Between the 3rd and 4th centuries AD, the building activity was intensified: you can admire the evolution of these activities as well as the remains of marble decorations, bas-reliefs and statues. In the archaeological area, you will find the remains of dwellings grouped into blocks and tabernae (workshops). The buildings are delimited by paved roads and are partly incorporated and visible in the Antiquarium Turritano, a museum located in a building within this area, not far from the thermal baths, where artefacts and relics found during the excavations are kept: pottery, funeral urns, inscriptions and mosaics.
Around the ancient town, there are vast necropolises: one to the west, on a shore of the Rio Mannu rivulet and another to south, below the current town, while to the east, on the seafront, including the hypogaeum of Tanca Borgona, there are the funerary complexes of Scogliolungo and San Gavino a mare and the tombs of Balai. The graves range from the early Imperial age to the early Christian period, while there is an almost completely intact Roman bridge over the river with seven elegant arches, making it an exceptional feat of engineering.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.