San Pedro Church, Cangas de Onís, Spain

San Pedro is a Romanesque-style church in the Mestas de Con neighborhood of Cangas de Onís. It was built in the 13th century and restored in 15th and 16th centuries. The frescoes date from the 18th century.

Religious sites in Spain

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Marcelino (2 years ago)
Surely he knew better times.

Francisco Jose Villalon Morales (2 years ago)

Juan Carlos Puga Ramallal (2 years ago)
Church in Mestas de Com, Cangas de Onis. It could be better preserved.

Simon Pena (3 years ago)
A poorly preserved ruin. I wish I was better to visit her.

Francisco Martinez Alejo (3 years ago)
The church of San Pedro en Con, located between Llano de Con and Mestas de Con, council of Cangas de Onís (Asturias, Spain), is a popular Romanesque church, with a single nave and square head. The head, today opened by two semi-circular arches with imposts, was attached to some missing lateral compartments. The roof is made of wood in the nave and the groin vault in the apse. As notable decorative elements, the Romanesque façades of the western and southern facades and the triumphal arch on attached columns are preserved. The entire area of the fence is decorated with wall paintings from the 18th century, constituting one of the few examples of popular architecture with pictorial decoration from before the 19th century.

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Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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