Basílica de Santa María la Real de Covadonga was designed by the German architect Roberto Frassinelli and built between 1877 and 1901 by architect Federico Aparici y Soriano. It is a Neo-Romanesque church made entirely of pink limestone.
In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed.
One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design.
This new project was devised by Roberto Frassinelli, known as The German of Corao, who was more an artist than architect, and was replaced by Federico Aparici y Soriano, who studied at the Royal Academy of Fine Arts of San Fernando. Despite this decision, Frassinelli could direct the works.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.