Dyffryn Gardens is an estate and collection of botanical gardens located near the villages of Dyffryn and St. Nicholas.
The Dyffryn Estate dates back to 640 A.D. when the Manor of Worlton was granted to Bishop Oudoceus of Llandaff. In the 16th century the Manor of Worlton was rented under copyhold by the Button family who occupied the estate for a number of generations.
The name of the Manor of Worlton was changed to the Manor of Dyffryn, St Nicholas in the 18th century when the Dyffryn Estate was sold to Thomas Pryce, who built the second building to be known as Dyffryn House, a Georgian manor, on the site in 1749. Although no extensive work was undertaken to the grounds, Pryce did begin some additions, including the construction of the walled garden, dipping pools and some ornamental plantings.
In 1891 the Dyffryn Estate was sold to John Cory by the then owner, a banker named Henry Ellis Collins. Cory then began construction of the present house in 1893. Later, Thomas Mawson, a well-known landscape architect and first president of the Institute of Landscape Architecture, was commissioned to design a garden to complement the new house; landscaping began in 1894 and was completed in 1909. The National Trust took over stewardship of Dyffryn House and Gardens on a 50-year lease from the Vale of Glamorgan Council in January 2013.
Today, Dyffryn Gardens is a visitor attraction open all year round, 363 days a year. The gardens are accessed via the admissions building, which also houses a shop and an attached tea-room. From here the gardens are divided into three main areas, the arboretum, Dyffryn House and its lawns and the Garden Rooms.
The eastern and largest section of the gardens contains the arboretum that begins with the kennel bank, leading to the rockery. The central section, which divides the arboretum in the east from the Garden Rooms to the west, contains Dyffryn House and its lawns, beginning with the house to the north extending southwards to the Vine Walk, a series of arches each containing a different species of vine. The two main lawns include the croquet lawn, closest to Dyffryn House, which runs east to west parallel to the main building, and the Great Lawn. The Great Lawn runs north–south and at its centre a longitudinal canal, which has at its centre a large bronze fountain. The fountain is in Chinese style and has a bronze Chinese Dragon wrapped around it; thought to be from the 1950s. The Great Lawn ends with a fountain pool, for which there is currently a fundraising drive to repair. The two bronze statues, Fujin and Raijin, Japanese Shinto gods of wind and lightning, that used to be here are now housed in the glass houses. At the southern end of the lawns is the Vine Walk, and Lavender Garden, the latter containing a red brick folly.
The final section of the gardens is the Garden Rooms, a series of terraced themed gardens. The 'rooms' contain an Italian Terrace, Australasian and Mediterranean Gardens, each containing plants from their respective regions. Other areas include a physic garden, rose garden, reflecting pool and Pompeian gardens. The Pompeiian gardens, entered via an archway dated 1909, were originally inspired by Reginald Cory's trips to Italy.
Throughout the gardens are statues, many with a motif of people with animals.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.