The Church of St John the Baptist is a medieval church in Llanblethian. Believed to have been built in the 12th century, the church boasts an unusual tower, consistent with the style more common in the south west of England. It underwent extensive restoration in the late 19th century, undertaken by C. B. Fowler of Cardiff.
The Church of St John the Baptist is first documented in a mid 12th century charter which showed it as a possession of Tewkesbury Abbey. Architectural evidence of its age lies in the short, low chancel which is established as 12th century. The west tower is in the Somerset style and was reputedly gifted in 1477, by Lady Anne Neville, heiress to the lordship of Glamorgan and wife of Richard, Duke of Gloucester, later King Richard III of England.
In the 1890s the church underwent restoration, conducted by the diocesan architect C. B. Fowler. The interiors were heavily restored, which included removal of the original wall plaster leaving the brickwork and mortar exposed. A benefit of the work was the opening up the fine oak roof, though much of the medieval timbers need to be replaced. During the restoration work the crypt under the vestry was opened and the remains of roughly 200 bodies was discovered. It is unknown if the crypt has been used as an ossuary for bodies moved from the graveyard or a mass burial site from an historical event.
The original 12th century chancel is located by the single-light window at the north wall, its internal stonework is original. The west tower is in the Somerset style, similar to that of St John the Baptist Church, Cardiff, the oldest medieval church in the capital. The tower stands as an exotic feature to the location with its features similar to those found in Cornwall and Devon, but rarely in Glamorgan.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.