St-Florent-le-Vieil Abbey

Saint-Florent-le-Vieil, France

The abbey of St-Florent-le-Vieil was originally established already in the 6th century. It was a strong and wealthy abbey until attacked by Normans several times between 850-853. The abbey was left to decay over centuries until 1637 when monks restored it. It was damaged again during the French Revolution 1790-1793.

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Address

Rue Charles de Renneville 15-17, Saint-Florent-le-Vieil, France
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Details

Founded: 14th century
Category: Religious sites in France
Historical period: Late Capetians (France)

Rating

4.4/5 (based on Google user reviews)

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User Reviews

Thomas Dorsata (3 years ago)
Emblème du village et des Mauges l’ensemble du Mont Glonne vaut le détour. Perché sur son piton rocheux, surveillant la Loire il faut y monter pour admirer la vallée en contrebas. Les chemins y sont nombreux.
Eric Didelot (3 years ago)
Magnifique Abbaye avec une vue sur la Loire exceptionnelle. Située à Saint Florent le Vieil, petite cité de caractère.
jean claude claude (3 years ago)
Personnel agréable. Dommage que la visite soit écourtée vue l'heure tardive de notre arrivée
Anouch Ka (3 years ago)
Village et lieux apaisants, calme et sérénité sont au rdv! Une belle étape au fil de la Loire, magnifique. ☺
egonneau barbara (3 years ago)
Superbe mariage dans cette magnifique abbaye
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Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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