The Cháteau d'Angers is a castle founded in the 9th century by the Counts of Anjou. It was expanded to its current size in the 13th century. Originally, the castle was built as a fortress at one of the sites inhabited by the Romans because of its strategic defensive location. In the 9th century, the Bishop of Angers gave the Counts of Anjou permission to build a castle in Angers. It became part of the Angevin empire of the Plantagenet Kings of England during the 12th century. In 1204, the region was conquered by Philip II and an enormous castle was built during the minority of his grandson, Louis IX in the early part of the 13th century. The construction undertaken in 1234 cost 4,422 livres, roughly one per cent of the estimated royal revenue at the time.
In 1352, King John II gave the castle to his second son, Louis who later became count of Anjou. Married to the daughter of the wealthy Duke of Brittany, Louis had the castle modified, and in 1373 commissioned the famous Apocalypse Tapestry from the painter Hennequin de Bruges and the Parisian tapestry-weaver Nicolas Bataille.Louis II and Yolande d'Aragon added a chapel (1405-12) and royal apartments to the complex. The chapel is a sainte chapelle, the name given to churches which enshrined a relic of the Passion. The relic at Angers was a splinter of the fragment of the True Cross which had been acquired by Louis IX. In the early 15th century, the hapless dauphin who, with the assistance of Joan of Arc would become King Charles VII, had to flee Paris and was given sanctuary at the Cháteau d' Angers.
In 1562, Catherine de' Medici had the castle restored as a powerful fortress, but her son, Henry III, reduced the height of the towers and had the towers and walls stripped of their embattlements; Henry III used the castle stones to build streets and develop the village of Angers. Nonetheless, under threat of attacks from the Huguenots, the king maintained the castle's defensive capabilities by making it a military outpost and by installing artillery on the cháteau's upper terraces. At the end of the 18th century, as a military garrison, it showed its worth when its thick walls withstood a massive bombardment by cannons from the Vendean army. Unable to do anything else, the invaders simply gave up.
A military academy was established in the castle to train young officers in the strategies of war. In a twist of fate, Arthur Wellesley, 1st Duke of Wellington, best known for taking part in the defeat of Napoleon Bonaparte at the Battle of Waterloo, was trained at the Military Academy of Angers. Still a part of the French military, the chateau was severely damaged during World War II by the Nazis when an ammunition storage dump inside the castle exploded.
Today, owned by the City of Angers, the massive, austere castle has been converted to a museum housing the oldest and largest collection of medieval tapestries in the world, with the 14th century "Apocalypse Tapestry" as one of its priceless treasures. As a tribute to its fortitude, the castle has never been taken by any invading force in history.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.