Angers Cathedral (Cathédrale Saint-Maurice d'Angers) was constructed in the 12th and 13th centuries on the orders of bishops Normand de Doué and Guillaume de Beaumont after the original building burnt down in 1032. The original Romanesque church was rebuilt with Gothic details in the mid 12th century. The single-aisle plan was vaulted with pointed arches resting on a re-clad interior elevation. The nave consists of three simple bays, with single bays on either side of a crossing forming transepts, followed by a single-bay choir, backed by an apse.
The striking west front is exceptionally narrow and tall. The lowest level dates from c.1170, the twin towers (70m and 77m high) date from the 15th century and the central tower was added in the 16th century. At the base of the central tower are sculptures of St Maurice and his companions, with a prayer for peace above.
The high altar is Baroque (1758), designed by Henri Gervais. Six monolithic columns support the canopy. Legend has it that Gervais was carried to it while he was dying, so he could give last instructions on its design. The enormous wooden pulpit dates from 1855 and was designed by a priest named Choyer. Its carvings illustrate the theme of the Word of God, with Moses on the left side and St John receiving his revelation on the right.
The treasury, housed in a spacious room off the north aisle, contains some fine medieval croziers and other religious objects. The transept's stained glass window of Saint Julian is considered a masterpiece of French 13th century glass work.References:
The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick. The tower was likely inhabited by the principal family or clan of the area but also served as a last resort for the village in case of an attack.
The broch continued to be inhabited while it began to collapse and the original structures were altered. The cistern was filled in and the interior was repartitioned. The ruin visible today reflects this secondary phase of the broch's use.
The site is surrounded by three ditches cut out of the rock with stone ramparts, encircling an area of around 45 metres diameter. The remains of numerous small stone dwellings with small yards and sheds can be found between the inner ditch and the tower. These were built after the tower, but were a part of the settlement's initial conception. A 'main street' connects the outer entrance to the broch. The settlement is the best-preserved of all broch villages.
Pieces of a Roman amphora dating to before 60 AD were found here, lending weight to the record that a 'King of Orkney' submitted to Emperor Claudius at Colchester in 43 AD.
At some point after 100 AD the broch was abandoned and the ditches filled in. It is thought that settlement at the broch continued into the 5th century AD, the period known as Pictish times. By that time the broch was not used anymore and some of its stones were reused to build smaller dwellings on top of the earlier buildings. Until about the 8th century, the site was just a single farmstead.
In the 9th century, a Norse woman was buried at the site in a stone-lined grave with two bronze brooches and a sickle and knife made from iron. Other finds suggest that Norse men were buried here too.