Angers Cathedral (Cathédrale Saint-Maurice d'Angers) was constructed in the 12th and 13th centuries on the orders of bishops Normand de Doué and Guillaume de Beaumont after the original building burnt down in 1032. The original Romanesque church was rebuilt with Gothic details in the mid 12th century. The single-aisle plan was vaulted with pointed arches resting on a re-clad interior elevation. The nave consists of three simple bays, with single bays on either side of a crossing forming transepts, followed by a single-bay choir, backed by an apse.
The striking west front is exceptionally narrow and tall. The lowest level dates from c.1170, the twin towers (70m and 77m high) date from the 15th century and the central tower was added in the 16th century. At the base of the central tower are sculptures of St Maurice and his companions, with a prayer for peace above.
The high altar is Baroque (1758), designed by Henri Gervais. Six monolithic columns support the canopy. Legend has it that Gervais was carried to it while he was dying, so he could give last instructions on its design. The enormous wooden pulpit dates from 1855 and was designed by a priest named Choyer. Its carvings illustrate the theme of the Word of God, with Moses on the left side and St John receiving his revelation on the right.
The treasury, housed in a spacious room off the north aisle, contains some fine medieval croziers and other religious objects. The transept's stained glass window of Saint Julian is considered a masterpiece of French 13th century glass work.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.