Angers Cathedral (Cathédrale Saint-Maurice d'Angers) was constructed in the 12th and 13th centuries on the orders of bishops Normand de Doué and Guillaume de Beaumont after the original building burnt down in 1032. The original Romanesque church was rebuilt with Gothic details in the mid 12th century. The single-aisle plan was vaulted with pointed arches resting on a re-clad interior elevation. The nave consists of three simple bays, with single bays on either side of a crossing forming transepts, followed by a single-bay choir, backed by an apse.
The striking west front is exceptionally narrow and tall. The lowest level dates from c.1170, the twin towers (70m and 77m high) date from the 15th century and the central tower was added in the 16th century. At the base of the central tower are sculptures of St Maurice and his companions, with a prayer for peace above.
The high altar is Baroque (1758), designed by Henri Gervais. Six monolithic columns support the canopy. Legend has it that Gervais was carried to it while he was dying, so he could give last instructions on its design. The enormous wooden pulpit dates from 1855 and was designed by a priest named Choyer. Its carvings illustrate the theme of the Word of God, with Moses on the left side and St John receiving his revelation on the right.
The treasury, housed in a spacious room off the north aisle, contains some fine medieval croziers and other religious objects. The transept's stained glass window of Saint Julian is considered a masterpiece of French 13th century glass work.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.