Angers Cathedral

Angers, France

Angers Cathedral (Cathédrale Saint-Maurice d'Angers) was constructed in the 12th and 13th centuries on the orders of bishops Normand de Doué and Guillaume de Beaumont after the original building burnt down in 1032. The original Romanesque church was rebuilt with Gothic details in the mid 12th century. The single-aisle plan was vaulted with pointed arches resting on a re-clad interior elevation. The nave consists of three simple bays, with single bays on either side of a crossing forming transepts, followed by a single-bay choir, backed by an apse.

The striking west front is exceptionally narrow and tall. The lowest level dates from c.1170, the twin towers (70m and 77m high) date from the 15th century and the central tower was added in the 16th century. At the base of the central tower are sculptures of St Maurice and his companions, with a prayer for peace above.

The high altar is Baroque (1758), designed by Henri Gervais. Six monolithic columns support the canopy. Legend has it that Gervais was carried to it while he was dying, so he could give last instructions on its design. The enormous wooden pulpit dates from 1855 and was designed by a priest named Choyer. Its carvings illustrate the theme of the Word of God, with Moses on the left side and St John receiving his revelation on the right.

The treasury, housed in a spacious room off the north aisle, contains some fine medieval croziers and other religious objects. The transept's stained glass window of Saint Julian is considered a masterpiece of French 13th century glass work.

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Address

Place Freppel 1, Angers, France
See all sites in Angers

Details

Founded: 12th-13th centuries
Category: Religious sites in France
Historical period: Birth of Capetian dynasty (France)

Rating

4.5/5 (based on Google user reviews)

User Reviews

François Guerraz (5 months ago)
Classic mid-size French cathedral
Joe Cabello (5 months ago)
Amazing place to visit.
Norbert Lovas (10 months ago)
Beautiful cathedral. Nothing to comment, i recommend to have it on your list.
Carbo Kuo (12 months ago)
This is the most beautiful place to visit in Angers.
Ramey Salem (2 years ago)
Unique and fits perfectly for Angers Everything is this city is harmonic, a great religious place that you feel the greatness of peace, love and faith when you are inside. Lots of history like all other Cathedrals in France, in a huge simplified presentation. God Bless.
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The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

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