Mon Repos villa was built as a summer residence for the British Lord High Commissioner of the United States of the Ionian Islands, Frederick Adam, and his second wife, Diamantina 'Nina' Palatino, in 1828–1831, although they had to vacate the villa soon afterwards in 1832 when Adam was sent to serve in India. The villa was rarely used as a residence for later British governors. In 1833, it housed a school of fine arts, while in 1834, the park was opened to the public. Empress Elisabeth of Austria stayed there in 1863. Here she fell in love with the island, where she later built the Achilleion Palace.
After the union with Greece in 1864, the villa was granted to King George I of the Hellenes as a summer residence; he renamed it 'Mon Repos' (French for 'My Rest'). The royal family used it as a summer residence up until King Constantine II fled the country in 1967. The villa subsequently became derelict, but was restored in the 1990s.
The villa was confiscated under controversial circumstances some years after the declaration of the Hellenic Republic in 1974. Its confiscation, and the confiscation of other property of the deposed and exiled King Constantine II, without any compensation, led to a court case in the European Court of Human Rights.
The King's argument centred on the claim that the property in question was acquired by his predecessors legally and was therefore subject to regular personal inheritance. The Greek state argued that because the property was either used by the royal family by virtue of its sovereign status or obtained by taking advantage of that status, once the monarchy was abolished, the property reverted to public ownership automatically.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.