Butrint, located in the south of Albania approximately 20km from the modern city of Saranda, has a special atmosphere created by a combination of archaeology, monuments and nature in the Mediterranean. With its hinterland it constitutes an exceptional cultural landscape, which has developed organically over many centuries. Butrint has escaped aggressive development of the type that has reduced the heritage value of most historic landscapes in the Mediterranean region.
Butrint constitutes a very rare combination of archaeology and nature. The property is a microcosm of Mediterranean history, with occupation dating from 50 000 BC, at its earliest evidence, up to the 19th century AD. Prehistoric sites have been identified within the nucleus of Butrint, the small hill surrounded by the waters of Lake Butrint and Vivari Channel, as well as in its wider territory. From 800 BC until the arrival of the Romans, Butrint was influenced by Greek culture, bearing elements of a “polis” and being settled by Chaonian tribes.
In 44 BC Butrint became a Roman colony and expanded considerably on reclaimed marshland, primarily to the south across the Vivari Channel, where an aqueduct was built. In the 5th century AD Butrint became an Episcopal centre; it was fortified and substantial early Christian structures were built. After a period of abandonment, Butrint was reconstructed under Byzantine control in the 9th century. Butrint and its territory came under Angevin and then Venetian control in the 14th century. Several attacks by despots of Epirus and then later by Ottomans led to the strengthening and extension of the defensive works of Butrint. At the beginning of the 19th century, a new fortress was added to the defensive system of Butrint at the mouth of the Vivari Channel. It was built by Ali Pasha, an Albanian Ottoman ruler who controlled Butrint and the area until its final abandonment.
The fortifications bear testimony to the different stages of their construction from the time of the Greek colony until the Middle Ages. The most interesting ancient Greek monument is the theatre which is fairly well preserved. The major ruin from the paleo-Christian era is the baptistery, an ancient Roman monument adapted to the cultural needs of Christianity. Its floor has a beautiful mosaic decoration. The paleo-Christian basilica was rebuilt in the 9th century and the ruins are sufficiently well preserved to permit analysis of the structure (three naves with a transept and an exterior polygonal apse).
The city is considered as one of the most important archaeological sites in Albania. On the strength of the immense wealth of cultural, historical and natural value with a considerable history, Butrint was declared a UNESCO World Heritage site in 1992 and further a National Park in 2000.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.