The Temple of Artemis is an Archaic Greek temple in Corfu, Greece, built in around 580 BC in the ancient city of Korkyra. The temple was dedicated to Artemis. It is known as the first Doric temple exclusively built with stone. It is also considered the first building to have incorporated all of the elements of the Doric architectural style. Very few Greek temple reliefs from the Archaic period have survived, and the large fragments of the group from the pediment are the earliest significant survivals.
The temple was a peripteral–styled building with a pseudodipteral configuration. Its perimeter was rectangular, with width of 23.46 m and length 49 m with an eastward orientation so that light could enter the interior of the temple at sunrise. It was one of the largest temples of its time.
The metope of the temple was probably decorated, since remnants of reliefs featuring Achilles and Memnon were found in the ancient ruins. The temple has been described as a milestone of Ancient Greek architecture and one of 150 masterpieces of Western architecture. The architecture of the Corfu temple may have influenced the design of an archaic sanctuary found at Sant'Omobono in Rome which dates to the archaic period and incorporates similar design elements.
The massive altar of the sanctuary is precisely rectangular and stood in front of the temple. It was 2.7 m. wide and 25 m. long. Only 8 m. of its northern section survive. The rest of the altar was built over, under the foundations of the Saint Theodore monastery.
Kaiser Wilhelm II, while vacationing at his summer palace of Achilleion in Corfu and while Europe was preparing for war, was involved in excavations at the site of the ancient temple.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.