Sammallahdenmäki is a Bronze age burial site including 36 granite burial cairns dating back more than 3000 years, from 1500 to 500 BC. Sammallahdenmäki is an exceptionally valuable example of Finland’s Bronze Age culture because it presents the ancient monuments in a well-preserved natural milieu. It’s designated as the UNESCO World Heritage Site in 1999.
Two of the most spectacular cairns are the quadrangular "Chuch Floor" and the dike-like "Long Ruin of Huilu". A typical feature of the Sammallahdenmäki cairns are the stone cists, boxlike structures formed by stone flags standing on edge and forming end and side walls or only one or the other. The cist may have originally contained a body in a wooden coffin, or the dead person may have been wrapped in animal skins. On the other hand, the cist may also have served as a receptacle for the ashes of a cremation burial. Remains of cists are still visible in some of the unexcavated cairns as well as in one cairn reconstructed after investigations.
Direction signs guide the visitor to Sammallahdenmäki from Highway 12 (Rauma–Huittinen). At the township of Lappi, the route turns north along Road 2070. After ca. 3.5 km the route turns left along a side road marked by a direction sign. The route ends at an information sign.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.