The Book of Llandaff refers to the existence of a church, or monastery, on this site in about 735. The existing St. Peter's Church, now substantially rendered and whitewashed, consists of a nave with a separate chancel, a vestry, a tower to the west, and north and south porches. The oldest parts of the building, including the herring-bone masonry in the north wall of the nave, may have an Anglo Saxon origin or, alternatively, date from the 12th century. The nave seems to have been lengthened during the 13th century, perhaps when the tower and chancel were built. A small window in the southwest corner dates from the early 14th century. The exposed Old Red Sandstone walling in the chancel dates from the 14th century; the chancel has a sanctuary window on each side, a priest's door, and an ancient stone bench outside. A royal coat of arms dated 1711 is painted on a board inside the church.
The north porch and vestry were added in 1824, and the whole church was restored in 1861–62. Inside the church are five stained glass windows.
The church is too low-lying to prevent winter floods from entering the building, and brass plates near the chancel arch record the heights of notable floods. A new balcony has been constructed at the back of the church so that perishable items can be kept above the floodline. This balcony is decorated with a beautiful oak screen. The church had a rectory, which was later known as Dixton Cottage.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.