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The ruined church on the White Island has a reconstructed plain Romanesque doorway. Secured to the north side of the south wall are eight carvings (seven figures and one head) built into the masonry of the church. Most of the figures were carved wearing the long tunics of churchmen. They are all carved in quartzite and were probably 'constructed' between 800 and 1000, and were later used as building stones in the church, before being uncovered in recent centuries. Helen Hickey has identified them as three pairs of caryatids. Each pair a different height and suggests that because of the sockets on the top of their heads that they may have supported a pulpit or preaching chair of an earlier possible wooden church. One popular theory is that the figures illustrate an episode in the life of St. Patrick, when Patrick heals a local King. This event is linked strongly with the Cathedral in Armagh, Northern Ireland.
There are eight figures in all, including an uncarved figure, suggesting the figures were carved on-site, and a frowning face, or 'mask'. An inscribed cross-carved stone was discovered built into the wall around the church.
It is recorded in the Annals that the Vikings attacked and destroyed the monasteries in Lough Erne in AD 837. For at least 400 years therefore these carvings may have laid in the ruins before a stone Romanesque style church was built.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.
