The Louis Armstrong House, formally known as 34-56 107th Street, is a historic house museum in Corona, Queens. It was the home of Louis Armstrong and his wife Lucille Wilson from 1943 until his death in 1971. Lucille gave ownership of it to the city of New York in order to create a museum focused on her husband.
The house was designated a New York City Landmark in 1988 and declared a National Historic Landmark in 1976. It now serves as a museum that presents concerts and educational programs, and makes materials in its archives of writings, books, recordings and memorabilia available to the public for research.
The Louis Armstrong Educational Foundation gave the house to the Department of Culture Affairs after Lucille Armstrong died in 1983. This brick house was designed by architect Robert W. Johnson and built by Thomas Daly in 1910. Some changes were made to the exterior and interior of the house when the Armstrongs moved in. The porch that was once in the front of the house was taken down and the space was added to the living room. For the exterior of the house the garden was assembled and the garage was constructed by the Armstrongs.
In addition the interior of the house was renovated to their taste. Ornate bathrooms, and the kitchen was not originally part of the house. Paintings and souvenirs were given to Louis Armstrong on tour from Asia, Europe to Africa. These gifts have found a home of their own on dressers, night stands, shelves and walls.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.