The Seventh Regiment Armory, also known as Park Avenue Armory, is a historic National Guard armory building. The building is a brick and stone structure built in 1880 and designed in the Gothic Revival style by Charles Clinton.
It is one of the two remaining armories in the United States to be built and furnished with private funds. It originally served as the headquarters and administrative building for the 7th New York Militia Regiment, known as the Silk Stocking Regiment due to the disproportionate number of its members who were part of the city's social elite. The building is known for detailed interior rooms that are furnished with ornamental woodwork, marble and stained glass.
The main facade of the administration building faces Park Avenue between 66th & 67th Streets, with the large vaulted space for the drill hall in the center of the block. The administration building has provisions for a reception room, a library, veterans room and staff offices for ten regimental companies. Architects and interior designers of the American Aesthetic Movement were commissioned to furnish the rooms and company quarters. The library is known as the Silver Room or 'Trophy Room' and was designed by Louis Comfort Tiffany who worked with architect Stanford White as a consultant on the project. The masterpiece of the armory building is the Veterans Room, also known as the Tiffany Room, with hand carved wood panelling and coffered ceiling in the Viking Revival style.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.