Rochlitz Castle lies in the west of the town of Rochlitz. It was built on the site of an imperial castle, erected in the second half of the 10th century, which fell into the possession of the Wettin margraves in 1143. Its appearance, which includes several Romanesque wings, is considerably influenced by its remodelling into a margravial schloss in the fourth quarter of the 14th century. Further conversions and additions followed at the end of the 15th and in the 16th centuries, when the castle became a secondary residenz, dower house and hunting lodge for the Wettin family. The castle or palace was the residence for members of the Saxon princely house eight times. From the 18th century the castle served as an administrative centre (justice department and district court); in 1852 it became a gaol, which necessitated considerable alteration. The museum founded in 1892 was gradually expanded and, today, takes up almost the entire castle.
The palace lies southwest of the historic town centre of Rochlitz on a spur of the Rochlitzer Berg that descends gradually towards the east-northeast and is flanked by the Zwickau Mulde to the southeast and the Hellerbach stream to the northwest. The hill spur is divided into the Nosswitz castle hill in the west, which at 200 m above sea level is noticeably higher and covers an area of about 300 metres by 60 metres, and the Rochlitz castle hill with the palace complex (about 90 × 30–40 m), separated by a late medieval neck ditch. The main palace is further separated by ditches from the western lower bailey (the so-called Unterschloss) and the eastern lower bailey (Vorburg) with St. Peter's Church and a total length of about 220 × 40 m.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.